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Press Release
Zavier Ellis: This is England
PRIVATE VIEW Friday 6 March 2026 6:30–8:30pm
EXHIBITION DATES Saturday 7 March–Tuesday 7 April 2026
EXHIBITION HOURS Monday–Saturday 11am–5pm
ADDRESS South Hill Park, Ringmead, Bracknell, RG12 7PA
ZAVIER ELLIS presents This Is England, a major solo exhibition confronting the symbols, myths, and contradictions embedded within English identity. Working across large-scale flag-format paintings, intimate panels, and a limited-edition work on paper series, Ellis transforms national emblems into sites of critical inquiry.
At the centre of the exhibition is Dieu et Mon Droit, a five-by-three-foot painting scaled to the proportions of the St George’s Cross. By incorporating references to the Royal African Company alongside figures such as Alfred the Great and King Arthur, Ellis interrogates how nationalist narratives selectively frame England’s past. The French-language royal motto underscores the irony of “pure” identity in a nation shaped by invasion, migration, and empire.
Death or Glory and Rivers of Blood expand this investigation into maritime history and racial politics. Referencing Horatio Nelson, the transatlantic slave trade, and the rhetoric of Enoch Powell, Ellis addresses how imperial ambition and exclusionary ideology continue to reverberate throughout contemporary Britain.
Other works pivot towards cultural production and resistance. Gloriana assembles a genealogy of female power from Elizabeth I to the suffragettes and Margaret Thatcher, while Destroy traces a line from punk to rave culture, positioning subculture as a catalyst for social change. She Walks in Beauty revisits Lord Byron as both cultural icon and political actor, linking Romanticism to contemporary debates surrounding heritage and ownership.
Through layered surfaces of paint, collage, graffiti, and dirt, Ellis resists nostalgia and challenges simplistic patriotism. This Is England positions national identity as an evolving and contested construct shaped as much by dissent and contradiction as by ceremony and tradition.
Visitors will also be able to view works from Ellis’s Sites of Conflict series elsewhere in the venue, exploring historic events shaped by protest and political unrest.
A limited-edition series of works on paper produced in conjunction with the exhibition will be available to collectors at a special Museum Collector price of £50 via Project Papyrophilia.
ABOUT ZAVIER ELLIS
Zavier Ellis studied History of Modern Art at Manchester University before completing an MA in Fine Art at City &Guilds of London Art School. He has exhibited internationally alongside artists including Peter Blake, Michael Craig-Martin, Damien Hirst, Julian Opie, Pablo Picasso, Robert Rauschenberg, Antoni Tàpies, Gavin Turk, and Mark Wallinger.
His work has been shown at institutions including Museum der Moderne Salzburg, Pera Museum Istanbul, Torrance Art Museum Los Angeles, Saatchi Gallery London, and Galerie Heike Strelow Frankfurt. Ellis’s work is held in major private collections including Sammlung Annette und Peter Nobel, Zurich and Beth Rudin DeWoody, West Palm Beach.
Biography
| BORN | 1973 | |
| EDUCATION | ||
| 2003-2005 | MA Fine Art (painting) | City & Guilds of London Art School |
| 1993-1996 | BA (Hons) History of Modern Art | University of Manchester |
| ONE PERSON EXHIBITONS | ||
| 2026 | This is England | South Hill Park, Bracknell |
| 2026 | This is England | South Hill Park, Bracknell |
| 2025 | Sites of Conflict | Torrance Art Museum, Torrance |
| 2024 | Revolt Repeat | Gramercy Park Studios, London |
| 2024 | Flying Leaps | City Streets including Birmingham, Brighton, Bristol, Edinburgh, Glasgow, Liverpool, Manchester, Sheffield |
| 2014 | Type 1 Zealotry (curated by Edward Lucie-Smith) | Cock ’n’ Bull Gallery, London |
| 2000 | New Paintings | Clapham Art Gallery, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2026 | The Life in a Line | Heath Robinson Museum, London |
| 2026 | Resolution (curated by Max Presneill & Tania Salha) | Thames-Side Studios Gallery, London |
| 2025 | The Discontents II (curated by Zavier Ellis) | Vestry Street, London |
| 2025 | Touch not Touch (curated by Tony Benn) | Vestry Street, London |
| 2024 | The Contemporary British Painting Prize 2024 | Huddersfield Art Gallery Curates at Yorkshire Artspace, Sheffield |
| 2024 | The Contemporary British Painting Prize 2024 | Thames-Side Studios, London |
| 2024 | The Contemporary British Painting Prize 2024 | BayArt, Cardiff |
| 2024 | Spectrum (curated by Hanna ten Doornkaat and Buffy Kimm) | White Noise Projects, London |
| 2024 | Sometimes Always (collaborative paintings with Sam Jackson) | Gramercy Park Studios, London |
| 2024 | Whitstable Arts Festival | Horsebridge Arts Centre, Whitstable |
| 2024 | Chronology (with Sam Jackson) | Michele Mack Gallery, New York |
| 2024 | Art Through Time: Contemporary Reflections (curated by Virginia Damtsa) | Alon Zakaim Fine Art, London |
| 2024 | Art Through Time: Contemporary Reflections (curated by Virginia Damtsa) | Alon Zakaim Fine Art, London |
| 2023 | In It For The Long Haul (curated by Robert Curcio) | Lichtundfire, New York |
| 2023 | Dirty Synth (curated by Tony Benn) | The Globe Taavern, London |
| 2023 | PREVIEW | Gramercy Park Studios, London |
| 2022 | And Now the Good News: Works from the Nobel Collection (curated by Christoph Doswald) | Pera Museum, Istanbul |
| 2022 | DELTA GAMMA | Saatchi Gallery, London |
| 2021 | Repetition (with Graham Dolphin & Sam Jackson) | The Depot x CHARLIE SMITH LONDON, London |
| 2020 | PROJECT PAPYROPHILIA | CHARLIE SMITH LONDON, London |
| 2018 | The Discontents (with Matthew Collings, Tommaso Corvi-Mora, Matthew Higgs, Max Presneill) | Bermondsey Project Space, London |
| 2018 | Sawdust and Sequins: The Art of the Circus (curated by Fiona Robinson & Nathalie Levy) | Royal West of England Academy, Bristol |
| 2018 | Face Value2 | Old Truman Brewery, London |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2017 | Political Gestures | Galerie Heike Strelow, Frankfurt |
| 2017 | Expressive Gestures | Galerie Heike Strelow, Frankfurt |
| 2017 | Back to Basics: Text (curated by Artemis Potamianou) | ENIA Gallery, Pireas |
| 2016 | Black Paintings (curated by Heike Strelow) | Galerie Heike Strelow, Frankfurt |
| 2016 | Semiotic Guerrilla Warfare part III (curated by David Hancock) | Dean Clough, Halifax |
| 2015 | Semiotic Guerrilla Warfare part I (curated by David Hancock) | Paper, Manchester |
| 2015 | An Odyssey | Torrance Art Museum, Torrance |
| 2015 | Cult of the Concrete (curated by Alexis Milne) | Joey Ramone Gallery, Rotterdam |
| 2014 | The Opinion Makers 2 | Londonewcastle, London |
| 2014 | Cultus Deorum (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2014 | Cathal Smyth: A Comfortable Man (curated by MC Llamas) | Wilton’s Music Hall, London |
| 2014 | WATCHMEN: Surveillance and The Flâneur (curated by Max Presneill and Lisa DeSmidt | Torrance Art Museum, Torrance |
| 2014 | Stations of the Cross: Above and Below | St Marylebone Parish Church, London |
| 2013 | First Come First Served | Lion and Lamb, London |
| 2013 | London Abstrakt | BRAUBACHfive, Frankfurt |
| 2013 | Macmillan De'Longhi Art Auction | Royal College of Art, London |
| 2013 | I Love You Because (curated by Chloe Mortimer and Harry Pye) | A-side B-side Gallery, London |
| 2013 | Photo & Print | Charlie Dutton Gallery, London |
| 2012 | Alter | VEGAS, London |
| 2012 | Contemporary Visions | Beers.Lambert Contemporary Art, London |
| 2012 | The Impossible Heap | Galerie8, London |
| 2011 | London International (curated by Edward Lucie-Smith) | Klaipėda Culture Communication Centre, Klaipėda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Torrance |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Garboushian Gallery, Beverley Hills |
| 2011 | Stockholm Syndrome (curated by Alexis Milne) | Studio B3.2, London |
| 2010 | Rizing Stars of Bethnalhem | High Roller Society, London |
| 2010 | PressArt: Die Sammlung Annette und Peter Nobel | Museum der Moderne, Salzburg |
| 2010 | The Term “Reality”: Collages 1970 - 2010 | Paul Stolper, London |
| 2008 | Swap Meet | Raid Projects, Los Angeles |
| 2007 | Dorian Gray Project: Happy Days (curated by Infinity Bunce & Katherine Lubar) | John Jones Project Space, London |
| 2006 | Obsession (curated by Robin Mason) | Sartorial Contemporary Art, London |
| 2006 | Wish You Were Here | A.I.R. Gallery, New York |
| 2006 | The Mouse That Roared (curated by Kieron Dennis) | Project 133, London |
| 2006 | The Circus Show (curated by Marcus Cope & Stephanie Moran) | Three Colts Gallery, London |
| 2005 | Young Gods edition III (curated by Zavier Ellis) | Clapham Art Gallery, London |
| 2003 | 100 Sale of the Century | The Arts Theatre, London |
| 2003 | Gallery Artists 2002-2003 | Clapham Art Gallery, London |
| 2003 | 100 | Studio Voltaire, London |
| 2002 | Studio Voltaire Open | Studio Voltaire, London |
| 2000 | 14x14 | Mafuji Gallery, London |
| BIBLIOGRAPHY | ||
| 2018 | FaceValue2 | Exhibition Catalogue, Jealous East, London |
| 2016 | PRESS ART: Die Sammlung Annette und Peter Nobel Vol. II | Stämpfli (ISBN 978-3-7272-1459-2) |
| 2013 | Just who is Zavier Ellis? by Mike von Joel | State Magazine, Edition 09, January 2013 |
| 2011 | London International | Exhibition Catalogue, Klaipėda Culture Communication Centre, Klaipeda |
| 2010 | PRESS ART: Die Sammlung Annette und Peter Nobel | Stämpfli (ISBN 978-3-7272-1134-8) |
| COLLECTIONS | ||
| Beth Rudin DeWoody, West Palm Beach | ||
| Julian & Stephanie Grose, Adelaide | ||
| Werner Grub, London | ||
| Ann Lewis, Sydney / New York | ||
| Sammlung Annette und Peter Nobel, Zurich | ||
| Soho House, London | ||
| Soho Warehouse, Los Angeles | ||
| 180 The Strand, London | ||
| Private collections in Austria, Denmark, France, Germany, United Kingdom & United States |












