| G L Brierley |
| Born: 1965 | |
| EDUCATION | |
| 2005 - 2007 | M.F.A. | Goldsmiths, London |
| ONE PERSON EXHIBITIONS | |
| 2013 | Tender Folds | FeldbuschWiesner, Berlin, Germany |
| 2012 | New Paintings | Carslaw St* Lukes, London |
| 2010 | Matersatz | Madder 139, London |
| 2010 | Volta NY Solo Presentation | Madder 139 Gallery, London |
| 2008 | New Works | Natalia Goldin Gallery, Stockholm, Sweden. |
| 2005 | The Naughty Puppies | Firstsite Contemporary, Colchester |
| SELECTED GROUP EXHIBITIONS | |
| 2014 | The Hallucinated World (curated by Marc Wellmann) | Haus am Lutzoplatz, Berlin |
| 2014 | FleursduMal (curated by Dolly Thompsett) | Lamb & Lion Gallery, London |
| 2013 | The Viewing Room (curated by Joe La Placa and Mark Sanders) | All Visual Arts Gallery, London |
| 2012 | Metamorphosis (curated by Joe La Placa, Mark Sanders and Wolfgang Schoppmann) | All Visual Arts Gallery, London |
| 2012 | Everywhere & Nowhere | The Reydan Weiss Collection, Villa Jauss, Bavaria |
| 2012 | EU – 27 Artists | 27 Countries (curated by Tanya Rumpff) | Museum Tongerlohuys, Netherlands |
| 2011 | A Piece of Paper | Madder 139 Gallery, London |
| 2011 | Memories of the Future (curated by Wolfgang Schoppmann) | La Maison Rouge, Paris |
| 2011 | Four in Play | Madder 139 Gallery, London |
| 2011 | Restless Nature | Newlyn Gallery, Penzance |
| 2011 | Volta 7 – Solo Presentation | Basel |
| 2011 | Restless Nature (curated by Day & Gluckman) | Collyer Bristow Gallery, London |
| 2010 | John Moores | Walker Gallery, Liverpool |
| 2010 | Black | Madder 139 Gallery, London |
| 2009 | Borderland (curated by Day & Gluckman) | Collyer Bristow Gallery, London |
| 2008 | Salon 08 | Vine Space, London |
| 2008 | Whispers of Immortality (curated by Joakim Borda) | Natalia Goldin Gallery, Stockholm |
| 2008 | ZOO Art Fair | Natalia Goldin Gallery, London |
| 2008 | Light Divided (curated by Ben Austin) | Louise T Blouin Foundation, London |
| 2008 | ArtFutures | Bloomberg Space, London |
| 2007 | Last of the Urgents | Colony Project Space, Birmingham |
| 2007 | The Teardrop Explodes (curated by Karin Pernegger) | Stadgalerie Schwarz, Austria |
| 2007 | Foreign Body(ies) (curated by Gerard Hemsworth) | Whitebox, New York |
| 2006 | Defining the Contemporary | Whitechapel Gallery, London |
| 2006 | Celeste Painting Prize | London |
| 2005 | Acid Drops & Sugar Candy | Transition Gallery, London |
| 2005 | London Now | The Arts Centre, St Petersburg, Florida |
| 2004 | John Moores | Walker Gallery, Liverpool |
| 2004 | East End Academy (curated by Niru Ratnam) | Whitechapel Gallery, London |
| BIBLIOGRAPHY | |
| 2014 | Thames & Hudson, 100 Painters of Tomorrow |
| 2012 | Contemporary Art Society, “Hobson’s Choice”, Paul Hobson, director’s favourite exhibition of the week. |
| 2012 | Solo Show at Carslaw St* Lukes, Catalogue Text, Martin Herbert |
| 2010 | D’Art International, “Top 10 at the 2010 New York Art Fairs”, Erin Kennedy |
| 2010 | Artist Newsletter, “John Moores 2010”, Paul Cordwell |
| 2010 | Saatchi Art News, Critics Choice |
| 2008 | Konsten, “G L Brierley”, Anders Olofsson |
| 2008 | Omkonst, “Sevärt i november” Susanna Slöör |
| 2006 | Daily Telegraph, “Art Sales”, Colin Gleadell |
| 2005 | Firstsite Critical Paper, “Naughty Puppies”, Martin Herbert |
| 2005 | Turps Banana, “John Moores 23 Walker Art Gallery”, Alistair Robinson |
| 2005 | St Petersburg Times, “Art’s Modern London Bridges”, Lennie Bennett |
| 2004 | The Sunday Times, “The East End Academy”, Waldemar Januszczak |
| 2004 | The Times, “A Little of What You Fancy”, Rachel Campbell-Johnston |
| 2004 | The Guardian, “E Is For Art”, Caroline Roux |
| COLLECTIONS |
| Olbricht Collection, Dusseldorf |
| Murdeme Collection, UK |
| Robin Woodhead CEO, Sotheby’s International |
| Reydon Weiss Collection, Germany |
| Robert Peter Miller, Robert Peter Miller Gallery, New York |
| Private Collections in Europe & United States |
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