Biography | Emma Bennett
| EDUCATION | ||
| 1997-1998 | MA Fine Art | Chelsea College of Art and Design, London |
| 1993-1996 | BA (Hons) Fine Art | Central Saint Martins College of Art & Design, London |
| ONE PERSON EXHIBITIONS | ||
| 2023 | SOLO Contemporary, British Art Fair | Saatchi Gallery, London |
| 2021 | All Aflame | CHARLIE SMITH LONDON, London |
| 2019 | Volcano Lovers | CHARLIE SMITH LONDON, London |
| 2017 | Haunts | CHARLIE SMITH LONDON, London |
| 2015 | Several Small Fires | CHARLIE SMITH LONDON, London |
| 2013 | Emma Bennett | Chapter Arts Centre, Cardiff |
| 2012 | And, Afterwards | CHARLIE SMITH LONDON, London |
| 2010 | Death & Co. | CHARLIE SMITH LONDON, London |
| 2002 | Emma Bennett: New Paintings | Danielle Arnaud Contemporary Art, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2023 | Beyond the Gaze – Reclaiming the Landscape (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2021 | Thing Worlds | Art Spot Korin, Kyoto |
| 2019 | 10 Years | CHARLIE SMITH LONDON, London |
| 2018 | Sammlung Reydan Weiss. "Ohne Etikett fühle ich mich freier..." Herzog Anton | Ulrich Museum, Braunschweig |
| 2018 | Context: Gallery Artists & Collaborators | CHARLIE SMITH LONDON, London |
| 2017 | doing identity. Die Sammlung Reydan Weiss | Kunstmuseum Bochum, Bochum |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2017 | Nature Morte: Contemporary Still Life (curated by Michael Petry) | Guildhall Art Gallery, London |
| 2017 | Part III: Interiority (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2016 | I Prefer Life: Reydan Weiss Collection | Wesserburg Museum of Modern Art, Bremen |
| 2016 | Flora (curated by Alex Boyd Jones) | Aberystwyth Arts Centre, Aberystwyth |
| 2016 | Black Paintings (curated by Heike Strelow) | Galerie Heike Strelow, Frankfurt |
| 2016 | Flora (curated by Alex Boyd Jones) | Oriel Plas Glyn y Weddw, Pwllheli |
| 2016 | Black Paintings (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2015 | Flora (curated by Alex Boyd Jones) | Oriel Myrddin Gallery, Camarthen |
| 2015 | Flora (curated by Alex Boyd Jones) | Oriel Davies Gallery, Newtown |
| 2015 | Die English Kommen! New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
| 2015 | Still Life - Ambiguous Practices (curated by Frances Woodley) | School of Art Gallery and Museum, Aberystwyth |
| 2015 | Collection of Small Paintings | The Contemporary London, London |
| 2014 | 100 Painters of Tomorrow: London | Beers Contemporary, London |
| 2014 | Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2014 | Still Life: All Coherence Gone? (curated by Frances Woodley) | BayArt Gallery, Cardiff |
| 2014 | Fleursdumal | CHARLIE SMITH LONDON, London |
| 2014 | Fleursdumal | Lion and Lamb Gallery, London |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2013 | Emma Bennett & Caro Suerkemper: Glazed | BRAUBACHfive, Frankfurt |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | The Serpent’s Tail | Witzenhausen Gallery, Amsterdam |
| 2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
| 2012 | Kalliphilia | Vegas Gallery, London |
| 2012 | East Wing X | Courtauld Institute, London |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2011 | Charlie Sierra Lima | CHARLIE SMITH LONDON, London |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipėda Culture Communication Centre, Klaipėda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Los Angeles |
| 2010 | New British Painting | Gallery Kalhama & Piippo Contemporary, Helsinki |
| 2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
| 2008 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2007 | Equinox | Sarah Myerscough Fine Art, London |
| 2006 | Nocturnal | Sarah Myerscough Fine Art, London |
| 2006 | John Moores 24 / Liverpool Biennale | Walker Art Gallery, Liverpool |
| 2005 | Between Dog & Wolf | Clapham Art Gallery, London |
| 2004 | Forever Beautiful | Clapham Art Gallery, London |
| 2004 | Summer Showcase 2004 | Case 1, London |
| 2004 | Emma Bennett, Marion Coutts, Anna Lucas | Front, London |
| 2001 | A Month in the Garden | The Museum of Garden History, London |
| 2001 | Bittersweet | Danielle Arnaud Contemporary Art, London |
| 2001 | Uchaperoned | Aroma Project Space, Berlin |
| 2001 | Deptford X | Deptford X, London |
| 1999 | Blink | Princelet Street, London |
| BIBLIOGRAPHY | ||
| 2015 | Still Life: Ambiguous Practices, Frances Woodley | Aberystwyth University |
| 2014 | 100 Painters of Tomorrow, Kurt Beers | Thames & Hudson |
| 2014 | Still Life: All Coherence Gone?, Frances Woodley | Aberystwyth University |
| 2013 | Nature Morte, Michael Petry | Thames & Hudson |
| 2013 | 100 London Artists Vol. 1, Zavier Ellis & Edward Lucie-Smith | iArtBook |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
| 2008 | THE FUTURE CAN WAIT | Ellis Rumley Projects |
| COLLECTIONS | ||
| K & K Kollektion, Monaco | ||
| Prieskel & Co, London | ||
| Julian & Stephanie Grose, Adelaide | ||
| David Roberts, London | ||
| The Reydan Weiss Collection, Munich | ||
| Private collections in Germany, Italy, Switzerland, United Kingdom & United States | ||
Biography | Kiera Bennett
| EDUCATION | ||
| 2000-2002 | MA Painting | Royal College of Art, London |
| 1990-93 | BA (Hons) Fine Art | Ruskin School of Drawing and Fine Art, Oxford |
| ONE PERSON EXHIBITIONS | ||
| 2018 | Studio Face | CHARLIE SMITH LONDON, London |
| 2013 | The Making of an Anthropologist | CHARLIE SMITH LONDON, London |
| 2007 | Bad Moon Rising | Rockwell, London |
| 2004 | Cocheme Fellow Show | Byam Shaw School of Art, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2019 | 10 Years | CHARLIE SMITH LONDON, London |
| 2018 | Context: Gallery Artists & Collaborators | CHARLIE SMITH LONDON, London |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2017 | Part III: Interiority (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2016 | The Good, the Bad and the Ugly: 22 Painters (curated by Alex Gene Morrison & Kiera Bennett) | CHARLIE SMITH LONDON, London |
| 2015 | Die English Kommen! New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
| 2014 | Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2014 | A Comfortable Man - Cathal Smyth | Wilton’s Music Hall, London |
| 2014 | Summer Saloon Show | Lion & Lamb, London |
| 2014 | Strange Meeting | Canal Projects, London |
| 2014 | Speaking Space | Collyer Bristow, London |
| 2013 | Art Britannia | Lion & Lamb @ Art Basel Miami |
| 2013 | London Abstrakt | BRAUBACHfive, Frankfurt |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2013 | Summer Saloon Show | Lion & Lamb, London |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | The Hair of The Dog (curated by Reece Jones) | Block 336, London |
| 2012 | The Perfect Nude (curated by Dan Coombs & Phillip Allen) | CHARLIE SMITH LONDON, London |
| 2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
| 2012 | The Perfect Nude (curated by Dan Coombs & Phillip Allen) | Wimbledon Art College Space, London |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipeda Culture Communication Centre, Klaipeda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith & Simon Rumley) | Torrance Art Museum, Torrance |
| 2011 | The Beard (curated by Kiera Bennett & Alex Gene Morrison) | CHARLIE SMITH LONDON, London |
| 2010 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Shoreditch Town Hall, London |
| 2009 | New London School | Galerie Schuster, Berlin |
| 2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2008 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2008 | The London Book of the Dead Show | St. Pancras Church Crypt, London |
| 2008 | Precious Things | High Lanes Gallery Drogheda, Ireland |
| 2008 | The Past is History | Changing Role Gallery, Naples and Rome |
| 2008 | Golden Record | Collective Gallery, Edinburgh |
| 2007 | Hung Drawn Quasi Stellar Object | Portman Gallery, London |
| 2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2007 | Nature and Society | Dubrovacki Muzeji (Dubrovnik Museums), Dubrovnik |
| 2006 | Fuckin’ Brilliant! Maji Yabai! | Tokyo Wondersite, Tokyo |
| 2005 | Acid Drops and Sugar Candy | Transition and Fosterart, London |
| 2005 | Real Strange | Lounge Gallery, London |
| 2005 | Art and Sausages | Somerton Rd, London |
| 2005 | Heaven and Earth | The Hackney Empire, London |
| 2005 | Into the White | The Hat Factory, Luton |
| 2005 | Under the Bridge | The Castleford Project, Castleford |
| 2005 | Sixteen | rb&hArts, London |
| 2005 | '...if you go down to the woods today...' | Rockwell, London |
| 2004 | Cocheme Fellow Show | Byam Shaw School of Art, London |
| 2004 | John Moores 23 | Walker Art Gallery, Liverpool |
| 2004 | First Assembly | The Ragged School, London |
| 2004 | Collage | Bloomberg Space, London |
| 2004 | Model Village | The Old Shoe Factory, London |
| 2004 | Cut Up | James Colman, London |
| 2004 | One Night Stand | Pearl Projects, El Montan Motor Hotel, San Antonio, Texas |
| 2003 | Snow | Transition Gallery, London |
| 2003 | Portrait of the Artist as an Exquisite Corpse | 39, London |
| 2003 | Full English | MOT, London |
| 2003 | Reel | 83 Culford Rd, London |
| 2003 | Drawing Room | The Union, London |
| 2003 | The New Topography | Geoffrey Young Gallery, Massachusetts |
| 2003 | Into the Grey | Cover Up, London |
| 2003 | Rockwell | Rockwell, London |
| 2002 | New Contemporaries | Static, Liverpool & Barbican, London |
| 2002 | Full House | FNR Projects, Camden, London |
| 2002 | Gatsby | The New Lansdowne Club, London |
| 2001 | At Home | Lennon, Weinberg Inc, New York |
| 2000 | Preface: International Biennale for Emerging Artists | The Hatton Gallery, Newcastle-upon-Tyne |
| 1999 | The Big Warm Open | Cambridge Darkroom Gallery, Cambridge |
| 1999 | Vistas | Wigmore Fine Art Gallery, London |
| 1998 | The Whitechapel Open | The Whitechapel Art Gallery, London |
| AWARDS & RESIDENCIES | ||
| 2005 | British Council, Diawa Foundation and Tokyo Wondersite Funded Trip to Tokyo | Tokyo, Japan |
| 2004 | Cocheme Fellowship | Byam Shaw School of Art |
| 2002 | Parallel Prize | RCA Final Show |
| 2001 | Amlin purchase prize (1st prize) | RCA interim show |
| BIBLIOGRAPHY | ||
| 2008 | Paintings to be seen in the flesh, Aidan Dunne | The Irish Times |
| 2008 | THE FUTURE CAN WAIT | Ellis Rumley Projects |
| 2007 | Nature and Society, text by Richard Dyer | Dubrovacki Muzeji (Dubrovnik Museums), Croatia |
| 2007 | Bad Moon Rising, Jessica Lack | Pick of the Week, Guardian Guide |
| 2007 | Issue 4 | Fash n Riot Magazine |
| 2006 | Handmade to the extreme, Fuckin' Brilliant! Maji Yabai! | PingMag Tokyo |
| 2005 | Heaven + Earth | Exhibition Catalogue |
| 2005 | Issue 3 | Fash n Riot Magazine |
| 2004 | MOT Full English, Andrew Hunt | Frieze (January Issue) |
| 2003 | Issue 2 | Fash n Riot Magazine |
| 2003 | Friends in High Places, Jessica Lack | Art Review |
| 2002 | Bloomberg New Contemporaries | Exhibition Catalogue |
| 2002 | The Best of the Graduate Shows | Art Review, ArtGraduate |
| 2002 | Issue 1 | Fash n Riot Magazine |
| 1999 | Vistas | Flash Art |
| 1999 | Hot Tickets | The Evening Standard |
| 1998 | Postcards on Photography: Photorealism and the Reproduction, Ronne Simpson & Naomi Salaman | Cambridge Darkroom Gallery |
| COLLECTIONS | ||
| Amlin PLC | ||
| David and Serenella Ciclitiras | ||
| Graham Crowley | ||
| Julian Opie | ||
| Cornelia Parker and Jeff McMillan | ||
| Arthur G Rosen | ||
| Mario Testino | ||
| Frank Williams | ||
| Private collections in France, Greece, United Kingdom & United States | ||
Biography | Melissa Kime
| MELISSA KIME | ||
| Born: 1989 | ||
| EDUCATION | ||
| 2013-2015 | MA Painting | Royal College of Art, London |
| 2011-2012 | Post Graduate Diploma in Drawing | Royal Drawing School, London |
| 2008-2011 | BA (Hons) Fine Art | University College Falmouth, Falmouth |
| ONE PERSON EXHIBITIONS | ||
| 2019 | Light as a feather stiff as a board | C&C Gallery, London |
| 2018 | Can I just have one more Moondance? | Gallery 286, London |
| 2016 | Oh! I think I just lost my Appetite | Gallery 286, London |
| 2016 | Do you think I’m Pretty? | Chalton Gallery, London |
| 2015 | Kill Your Darlings Nicely | 92 Piccadilly, London |
| 2013 | Welcome to London | St James Park, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2021 | Tilted | Purslane Art (online show) |
| 2020 | Project Papyrophilia | CHARLIE SMITH LONDON, London |
| 2020 | The End | Chalton Gallery, London |
| 2019 | RA Summer Show | Royal Academy, London |
| 2019 | Eternal Eclipse Of The Heart | Coombs Contemporary at Watson Farley & Williams, London |
| 2019 | Creekside Open | APT Studios, London |
| 2018 | Open call | Delphian Gallery, London |
| 2018 | Temporary Realities | Karen Huber Gallery, Mexico City |
| 2018 | Frivolous Convulsions | Turf Projects, London |
| 2017 | RCA Secrets | Royal College of Art, London |
| 2017 | Clerkenwell Design Week | Arebyte Studios, London |
| 2017 | Group Show | Proyecto Medellin, Mexico City |
| 2017 | Arebyte Laser Group Show | Arebyte Laser gallery, London |
| 2016 | Auction & Exhibition of British Art | Morton Casa De Subastas, Mexico City |
| 2016 | That I am now and So it Is | Chalton Gallery, London |
| 2016 | UniVulva | Bow Arts, London |
| 2016 | Master Drawing Exhibition for The Royal Drawing School | Christies, New York |
| 2015 | Auction & Exhibition of British Art | Morton Casa De Subastas, Mexico City |
| 2015 | The Sunday Times Watercolour Competition | The Mall Galleries, London |
| 2015 | CPG Annual Open 2015 | CPG London, London |
| 2015 | Two-Hundred Acres | The Pump House Gallery, London |
| 2015 | Show RCA 2015 | The Royal College of Art, London |
| 2015 | Bloomberg New Contemporaries | Newlyn Art Gallery & Exchange Penzance, Cornwall |
| 2015 | WIP Show Open House | Royal College of Art, London |
| 2015 | RCA Secrets 2015 | Royal College of Art, London |
| 2014 | We Could Not Agree | Q-Park, London |
| 2014 | Bloomberg New Contemporaries | The World Museum, Liverpool ICA, London |
| 2014 | The Princes Drawing School Alumni Exhibition | Buckingham Palace, London |
| 2014 | RCA Secrets 2014 | Royal College of Art, London |
| 2014 | The Hidden City | Theatre Delicatessen, London |
| 2014 | WIP Show | Royal College of Art, London |
| 2013 | Sketch 2013 | Rabley Drawing Centre, Marlborough Plymouth College of Art, Plymouth Black Swan Arts, Frome |
| 2012 | Open Studies | The Tea Building, London |
| 2012 | Royal Drawing School Drawing Exhibition | Windsor Castle, Windsor |
| 2011 | Breakfast | Brick Lane, London |
| AWARDS | ||
| 2019 | RA Sumer Show - Recipient of the Arts Club Award | Royal Academy, London |
Biography | Alex Gene Morrison
| EDUCATION | ||
| 2000-2002 | MA Painting | Royal College of Art, London |
| 1997-2000 | BA (Hons) Fine Art | City and Guilds of London Art School, London |
| ONE PERSON EXHIBITIONS | ||
| 2014 | Same As It Ever Was | CHARLIE SMITH LONDON, London |
| 2010 | Isolation Room (Black Economy) | Gallery Kit, St Louis |
| 2010 | Syllabus: LikeFliesRoundShit | Hunt Gallery, Sandwich |
| 2010 | Dark Matter | CHARLIE SMITH LONDON, London |
| 2008 | New Dawn | Chapter Gallery, Assembly Solo, Cardiff |
| 2008 | Alex Gene Morrison, New Video Work | Moot, Nottingham |
| 2007 | Adrift | The Fishmarket, Northampton |
| 2006 | Vile Lure | Rockwell Gallery, London |
| 2004 | Search and Destroy | Rosy Wilde Gallery, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2019 | 10 Years | CHARLIE SMITH LONDON, London |
| 2019 | Plan B | David Zwirner Gallery, New York |
| 2018 | Do Re Mi So La Te (curated by Karen David) | Griffin Gallery, London |
| 2018 | Context: Gallery Artists & Collaborators | CHARLIE SMITH LONDON, London |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2017 | And If A Double Decker Bus (Curated by Dan Howard Birt) | Kingsgate Project Space, London |
| 2017 | Part I: Street Semiotics (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2016 | The Good, the Bad and the Ugly: 22 Painters (curated by Alex Gene Morrison & Kiera Bennett) | CHARLIE SMITH LONDON, London |
| 2016 | Black Paintings (curated by Heike Strelow) | Galerie Heike Strelow, Frankfurt |
| 2016 | Semiotic Guerrilla Warfare (Part 2) | Dean Clough Museum, Halifax |
| 2015 | Semiotic Guerrilla Warfare (Part 1) | PAPER Gallery, Manchester |
| 2015 | Black Paintings (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2015 | Die English Kommen! – New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
| 2015 | Birmingham Show | Eastside Projects, Birmingham |
| 2015 | The Opinion Makers | Londonewcastle Project Space, London |
| 2014 | 2014 Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2014 | Cultus Deorum (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2014 | Zinger Humdinger | Canal Projects, London |
| 2014 | Same As It Ever Was | CHARLIE SMITH LONDON, London |
| 2014 | London Abstract | Braubach Five Gallery, Frankfurt |
| 2013 | Art Britannia | Art Basel Miami |
| 2013 | Summer Saloon Show | Lion and Lamb Gallery, London |
| 2013 | Beautiful Things | Albert Dock, Liverpool |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | The Perfect Nude (curated by Dan Coombs & Phillip Allen) | CHARLIE SMITH LONDON, London |
| 2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
| 2012 | Royal Academy Summer Exhibition | Royal Academy of Arts, London |
| 2012 | Ha Ha what does this represent | Standpoint Gallery, London |
| 2012 | The Perfect Nude (curated by Dan Coombs & Phillip Allen) | Wimbledon Art College Space, London |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2011 | Video in Britain Today | Bermondsey Project Space, London |
| 2011 | Pulp Fictions | Transition Gallery, London |
| 2011 | Charlie Sierra Lima | CHARLIE SMITH LONDON, London |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipeda Culture Communication Centre, Klaipeda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Torrance |
| 2011 | The Man Who Fell To Earth | Monika Bobinska @ Jens Hills, London |
| 2011 | Fade Away | Gallery North, Northumbria University |
| 2011 | The Beard (curated by Alex Gene Morrison & Kiera Bennett) | CHARLIE SMITH LONDON, London |
| 2010 | Fade Away | Transition Gallery, London |
| 2010 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Shoreditch Town Hall, London |
| 2010 | The Term “Reality” | Paul Stolper, London |
| 2010 | New British Painting | Gallery Kalhama & Piippo Contemporary, Helsinki |
| 2010 | Papyrophilia | CHARLIE SMITH LONDON, London |
| 2010 | Demonology | CHARLIE SMITH LONDON, London |
| 2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2009 | Sliding Down a Radiant Abyss | Crimes Town Gallery, London |
| 2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
| 2009 | Radiator Festival | Anexinema Video Screening, Nottingham |
| 2009 | The Golden Record | G39, Cardiff & The Collection, Lincoln |
| 2008 | The Golden Record | The Collective Gallery, Edinburgh |
| 2008 | THE FUTURE CAN WAIT(curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2008 | John Moores Contemporary Painting Prize 25 | Walker Art Gallery, Liverpool |
| 2008 | The Past is History (curated by Zavier Ellis & Simon Rumley) | Changing Role Gallery, Naples |
| 2008 | The Past is History (curated by Zavier Ellis & Simon Rumley) | Changing Role Gallery, Rome |
| 2008 | 6. Fun House (7:46), Will Turner & Alex Gene Morrison | Way East Gallery, London |
| 2008 | Icon (curated by Hugh Mendes) | Primo Alonso Gallery, London |
| 2007 | Nativity | 39, London |
| 2007 | Spectre Vs Rectre | The Residence, London |
| 2007 | Loners Island | G39, Cardiff |
| 2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Atlantis Gallery, London |
| 2007 | Gire and Gimble | Blyth Gallery, Imperial college, London |
| 2007 | Hung Drawn Quasi Stellar Object | Portman Gallery, London |
| 2007 | Nature and Society | Dubrovacki Muzeji (Dubrovnik Museums), Croatia |
| 2007 | My Penguin | 39, London |
| 2007 | Visions at the Nunnery | The Nunnery, London |
| 2006 | Artists Choice | Leisure Club Mogadishni, Copenhagen |
| 2006 | 10th Planet | Unit A04, London |
| 2006 | Metropolis Rise: New Art from London | CQL Design Center, Shanghai |
| 2006 | Metropolis Rise: New Art from London | Dashanzi 798 Art District |
| 2005 | Fuckin Brilliant | Tokyo Wondersite, Tokyo |
| 2005 | Hydrophobia | Zinger Presents, Tilburg |
| 2005 | New London Kicks | Wooster Projects, New York |
| 2005 | Heaven and Earth | Hackney Empire, London |
| 2005 | Faux Realism | Royal Academy Pump House Gallery, London |
| 2005 | New London Kicks (in association with Armory Show & Art Review) | Soho House, New York |
| 2005 | The Darkest Hour | Leisure Club Mogadishni, Copenhagen |
| 2004 | If You Go Down to the Woods Today | Rockwell Gallery, London |
| 2004 | Uneven Surfaces | temporarycontemporary, London |
| 2004 | Zombie | Gallery Ude, Düsseldorf |
| 2004 | Other People | Three Colts Gallery, London |
| 2004 | First Assembly | The Ragged School, London |
| 2004 | Sympathetic Nerve | Capsule Gallery, New York |
| 2004 | Born Cry Eat Shit Fuck Die | Rockwell Gallery, London |
| 2003 | Snow | Transition Gallery, London |
| 2003 | Portrait of the Artist as Exquisite Corpse | 39, London |
| 2003 | Tiny New Nation | Bowie Art, London |
| 2003 | Moral Combat | St Leonard’s Church, London |
| 2003 | Rockwell | Rockwell Gallery, London |
| 2003 | The Protective Clothing Company | Knox Gallery, London |
| 2002 | Full House | FNR Projects, London |
| 2001 | Modern Love | Hobbypop Museum, Düsseldorf |
| 2001 | Modern Love | VTO Gallery, London |
| BIBLIOGRAPHY | ||
| 2009 (Jul) | Artist of the Week, Jessica Lack | Guardian Online |
| 2008 | One in the Other, Anthony Shapland | G39 Gallery, Cardiff |
| 2008 | THE FUTURE CAN WAIT | Ellis Rumley Projects |
| 2008 | John Moores 25 | Walker Art Gallery, Liverpool |
| 2008 (Jul) | Q&A interview for Chapter Gallery solo show | Metro Newspaper |
| 2008 (Mar) | Artist Feature, Issue 9 | Amelia’s Magazine |
| 2007 (Dec) | Preview for ‘Loners Island’, Jessica Lack | Guardian Guide |
| 2007 | Nature and Society, Richard Dyer | Dubrovacki Muzeji (Dubrovnik Museums) |
| 2007 | Issue 4 | Fash N Riot |
| 2006 (Nov) | Review of ‘Vile Lure’ (solo show), Sally O’Reilly | TimeOut London |
| 2006 (Nov) | Preview, ‘Vile Lure’ (solo show), Jessica Lack | Guardian Guide |
| 2006 | Metropolis Rise: New Art from London | Exhibition Catalogue |
| 2005 (Oct) | Feature on east London galleries | Modern Painters |
| 2005 (Jul) | Heaven and Earth | Exhibition Catalogue, Earwig Books |
| 2005 (Mar) | Preview & Pick of the Week for ‘Faux Realism’, Jessica Lack | Guardian Guide |
| 2005 | Issue 3 | Fash N Riot |
| 2004 (Dec) | Feature on London artists | Artforum |
| 2004 (Sep) | Review of ‘Other People’ | TimeOut |
| 2004 (Aug) | Ape Institute Annual Review, feature on Rockwell Gallery | Ape Institute |
| 2004 (Mar) | Feature on Keith Talent Gallery | Miser & Now |
| 2004 (Feb) | Pick of the Week for ‘Search and Destroy’, Jessica Lack | Guardian |
| 2003 (Dec) | Review of ‘Snow’ | TimeOut |
| 2003 | Issue 2 | Fash N Riot |
| 2003 (Jul/Aug) | Friends in High Places | Art Review |
| COLLECTIONS | ||
| David Roberts, London | ||
| Private collections in France, Germany & United Kingdom | ||
Biography | Dominic Shepherd
| EDUCATION | ||
| 1994–1995 | MA Painting | Chelsea College of Art and Design, London |
| 1985–1988 | BA (Hons) Painting | Chelsea College of Art and Design, London |
| ONE PERSON EXHIBITIONS | ||
| 2019 | Downstream | CHARLIE SMITH LONDON, London |
| 2015 | Bare Foot Prophet | CHARLIE SMITH LONDON, London |
| 2012 | Jerusalem | CHARLIE SMITH LONDON, London |
| 2010 | Lucifer Rising | CHARLIE SMITH LONDON, London |
| 2010 | Mycelium | The Arts University College at Bournemouth |
| 2009 | In the Country of the Blind | Galerie Schuster, Berlin |
| 2001 | Recent Paintings | Clapham Art Gallery, London |
| 2000 | Contemporary Romantic | Clapham Art Gallery, London |
| 1998 | New Paintings | Cadogan Contemporary, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2019 | 10 Years | CHARLIE SMITH LONDON, London |
| 2018 | Fully Awake (curated by Ian Hartshorne and Sean Kaye) | Dyson Gallery, Royal College of Arts, London |
| 2018 | Inaugural exhibition (curated by Dean Melbourne) | Width of Circle, Black Country |
| 2017 | Black Mirror: Magic in Art (curated by Dominic Shepherd) | TheGallery, Arts University Bournemouth, Bournemouth |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2016 | Strange Worlds: The Vision of Angela Carter | RWA, Bristol |
| 2015 | The Fantasy of Representation | Beers Contemporary, London |
| 2015 | Das Unheimliche (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2015 | Die English Kommen! New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
| 2014 | Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2014 | Cultus Deorum (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | Black Mirror (with John Stark) | Galerie Lichtpunkt - Ambacher Contemporary, Munich |
| 2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
| 2012 | Critical Dictionary | WORK, London |
| 2012 | The Perfect Nude (curated by Phillip Allen & Dan Coombs) | CHARLIE SMITH LONDON, London |
| 2012 | The Perfect Nude (curated by Phillip Allen & Dan Coombs) | Wimbledon Space, London |
| 2012 | The Perfect Nude (curated by Phillip Allen & Dan Coombs) | Phoenix Gallery, Exeter |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2011 | Charlie Sierra Lima | CHARLIE SMITH LONDON, London |
| 2011 | Beyond the Commission | The Arts University College, Bournemouth |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipeda Culture Communication Centre, Klaipeda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Torrance |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Garboushian Gallery, Beverley Hills |
| 2010 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Shoreditch Town Hall, London |
| 2010 | Territories | Galerie Schuster, Miami |
| 2010 | Papyrophilia | CHARLIE SMITH LONDON, London |
| 2010 | DEMONOLOGY | CHARLIE SMITH LONDON, London |
| 2010 | New British Painting | Gallery Kalhama & Piippo Contemporary, Helsinki |
| 2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley | Old Truman Brewery, London |
| 2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
| 2008 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2007 | Dominic Shepherd & Julian Lee | Galerie Schuster, Berlin |
| 2007 | Meeting Place | Russell Cotes Art Gallery & Museum, Bournemouth |
| 2006 | Town & Country | Francis Hair Fashions Gallery, London |
| 2005 | Between Dog and Wolf (with Emma Bennett) | Clapham Art Gallery, London |
| 2005 | Bournemouth University Art Loan | Bournemouth University, Bournemouth |
| 2004 | Forever Beautiful | Clapham Art Gallery, London |
| 2004 | John Moores 23 | Walker Art Gallery, Liverpool |
| 2004 | Dominic Shepherd & Liza Campbell | Michael Naimski Gallery, London |
| 2002 | Print UK | Manhattan Graphics, New York |
| 2002 | If Pressed | Sherborne House Arts |
| 2000 | Defining the Times | MK G, Milton Keynes |
| 1999 | Made in England | Vasby Kunsthall, Stockholm |
| 1998 | Winter Show | E1 Gallery, London |
| 1997 | Art in the 90’s: Pure Fantasy | Oriel Mostyn, Llandudno |
| 1996 | Gilchrist Fisher Memorial Award | Cadogan Contemporary, London |
| 1995 | SBC European Art Prize | Smithfield Gallery, London |
| 1995 | 7th Oriel Mostyn | Oriel Mostyn, Llandudno |
| AWARDS & RESIDENCIES | ||
| 2004 | John Moores 23, Visitors Choice Prize | |
| 2000 | Oppenheim-John Downes Trust Award | |
| 1999 | Oppenheim-John Downes Trust Award | |
| 1998 | Artist in Residence | Oriel Mostyn Gallery, Llandudno |
| 1995 | Liquitex Excellence in Art Award | |
| 1994 | Portugal 600 Travel Award | Portugal |
| 1993 | South East Arts Training Award | |
| 1993 | Artist in Residence, Shave International Artist’s Workshop | Somerset |
| 1992 | SEA Young Artist of 1992 | |
| 1989 | Artist in Residence | Koursalo Island, Finland |
| 1988 | Henry Biddulph Travel Scholarship | |
| BIBLIOGRAPHY | ||
| 2014 | Black Mirror 0: Territories, editorial introduction by Dominic Shepherd | Fulgur Esoterica |
| 2013 | The Golden Age: Between Wilderness and Utopia, Dominic Shepherd | The New Pastoral Issue, Architectural Design |
| 2011 | The Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
| 2011 | Critical Dictionary, edited by David Evans | Black Dog Press |
| 2010 | Mycelium, Gavin Parkinson | Text + Work |
| 2008 | THE FUTURE CAN WAIT | Ellis Rumley Projects |
| 2007 | Meeting Place | Exhibition Catalogue |
| 2007 | Critical Dictionary 12 & 14 | criticaldictionary.com |
| 2005 | Bournemouth University Art Loan | Exhibition Catalogue |
| 2005 | Hansel & Gretel | Volume 1, Issue 3, Tales Magazine |
| 2004 | John Moores 23 | Exhibition Catalogue |
| 2004 | The Labyrinth of the Gaze, edited by Gavin Turk | Five |
| 2000 | Dominic Shepherd & Clapham Art Gallery, Oliver Jones | What's On Magazine |
| 1997 | Art in the 90's: Pure Fantasy, Susan Daniel | Exhibition Catalogue |
| 1996 | Seventh Mostyn Open, Mel Gooding | Volume 3, Contemporary Art |
| COLLECTIONS | ||
| Paula Granoff, Providence, Rhode Island | ||
| Steve Shane, New York | ||
| Markus Winzer, Untersiemau | ||
| Private collections in Australia, France, Germany, Japan, Switzerland, United Kingdom & United States | ||
Biography | Joanna Whittle
| EDUCATION | ||
| 1998-2000 | MA Fine Art (Painting) | Royal College of Art, London |
| 1994-1997 | BA (Hons) Fine Art (Painting) | Central Saint Martins College of Art & Design, London |
| ONE PERSON EXHIBITIONS | ||
| 2024 | Lost Territories | CHARLIE SMITH LONDON, London |
| 2024 | Ghosted Ground | University of Sheffield |
| 2024 | Heavy Water, PostNatures (curated by Victoria Lucas) | Graves Gallery, Sheffield |
| 2023 | On Shifting Ground | Whitaker Museum, Rossendale |
| 2021 | The Mitre Owl | Artcade, Sheffield |
| 2020 | Between Islands | Harley Gallery, Nottinghamshire |
| 2019 | Lost Islands | Cupola Contemporary Art, Sheffield |
| 2019 | City Without and Within | Making Ways Engagement Project, Sheffield |
| 2019 | Flat + Earth | Sidney & Matilda, Sheffield |
| 2018 | Deluges | Alma Street, Sheffield |
| 2018 | Island and Water, Stone | CITU, Sheffield |
| 2003 | Clapton to Centre Point, 1183 Trees | Museum of London, London |
| 2002 | Badly Led Lives | Piccadilly Underground, London |
| 2001 | New Paintings | Agnews, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2023 | Bloc Projects Members Show | Bloc Projects, Sheffield |
| 2023 | John Moores Painting Prize Exhibition | Walker Art Gallery, Liverpool |
| 2023 | Arcadia for All? Rethinking Landscape Painting Now | Attenborough Arts Centre, Leicester |
| 2023 | No Place Like Home | ArtHouse, Jerse |
| 2023 | Beyond the Gaze – Reclaiming the Landscape (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2023 | X, Contemporary British Painting | Newcastle Contemporary Art, Newcastle |
| 2023 | Arcadia for All? Rethinking Landscape Painting Now | Stanley and Audrey Burton Gallery, University of Leeds |
| 2023 | PREVIEW | Gramercy Park Studios, London |
| 2023 | PostNatures | Heavy Water Collective, Graves Art Gallery, Sheffield |
| 2023 | Entwined, Plants in Contemporary Painting | Visual Arts Centre, Scunthorpe |
| 2022 | The Tyranny of Ambition | Highlanes Public Gallery, Drogheda |
| 2022 | Entwined, Plants in Contemporary Painting | Huddersfield Art Gallery, Huddersfield |
| 2022 | Paint Edgy | Contemporary British Painting, Barton upon Humber |
| 2022 | The Fool | Air Space Gallery, Stoke-on-Trent |
| 2022 | RASE | Royal Academy of Arts, London |
| 2022 | New Light Retrospective | Saul Hay Gallery, Manchester |
| 2022 | Paradoxes | Quay Arts Centre, Isle of Wight |
| 2021 | New Light Prize Exhibition | Tullie House Museum, Carlisle |
| 2021 | Silent Disco | Greystone Industries, Suffolk |
| 2021 | Heavy Water | Site Gallery, Sheffield |
| 2021 | Urban | Art Social project, Sheffield |
| 2021 | Emergence | Rise Art, Sheffield |
| 2021 | Human Nature | Linden Hall Studio, Deal |
| 2021 | New Light Prize Exhibition | The Biscuit Factory, Newcastle |
| 2021 | Darkness At Noon | Contemporary British Painting Society, London |
| 2021 | The Lockdown Interviews | The Cello Factory, London |
| 2020 | Thing Worlds | Spot Korin, Kyoto |
| 2020 | Vitalistic Fantasies | The Cello Factory, London |
| 2020 | New Light Prize Exhibition | Scarborough Art Gallery, Scarborough |
| 2020 | Prosaic Mosaic | Globe Arts, Slaithwaite |
| 2020 | Contemporary British Painting | ASC Gallery, London |
| 2019 | Contemporary British Painting | Huddersfield Art Gallery, Huddersfield |
| 2019 | Rogue Women | Rogue Galleries, Manchester |
| 2019 | Bethlehem Boys Club III | Sidney & Matilda, Sheffield |
| 2019 | Prosaic / Mosaic | Bloc Projects, Sheffield |
| 2019 | Second Nature | Portico Gallery, Manchester |
| 2019 | Just One More Thing | Asylum, Rendlesham |
| 2019 | Two Fold | OA Studios, Salford |
| 2019 | This Is Not An Oak Tree | Jugg Art Foundation, Suffolk |
| 2019 | The Immaculate Dream | Collyer Bristow Gallery, London |
| 2019 | Royal Academy Summer Exhibition | Royal Academy, London |
| 2019 | Place | Boston Castle, Rotherham |
| 2019 | Eight Paint | Gage Gallery, Sheffield |
| 2019 | Harley Open | Harley Gallery, Worksop |
| 2019 | Flat + Earth | Sidney & Matilda, Sheffield |
| 2018 | Bethlehem Boys Club II | Sidney & Matilda, Sheffield |
| 2018 | Confluence at Bloc | Bloc Projects, Sheffield |
| 2018 | Confluence | Herrick Gallery, London |
| 2018 | Uncommon or Garden | Jugg Art Foundation, Ipswich |
| 2018 | John Moores Painting Prize | Walker Art Gallery, Liverpool |
| 2018 | Brownfield Research Centre | AirSpace Gallery, Stoke-on-Trent |
| 2018 | Public Commission | Kelham Island, Sheffield |
| 2017 | Strangelands | Collyer Bristow Gallery, London |
| 2016 | End of Beginnings | Mandell’s Gallery, Norwich |
| 2016 | Various Species | Greystones Industries, Wickham Market |
| 2016 | Sad But True | Jerwood Dance House, Ipswich |
| 2015 | Atrium Summer Exhibition | University of Suffolk, Ipswich |
| 2014 | Atrium Winter Show | University of Suffolk, Ipswich |
| 2014 | Winter Show | Subterranean Boulevard Gallery, Ipswich |
| 2006 | Deck of Cards | 39 Gallery, London |
| 2005 | Group Show | Keith Talent Gallery, London |
| 2005 | Hand In Hand We Walk Alone | Clapham Art Gallery, London |
| 2005 | Pocketscopic | Sartorial Contemporary Art, London |
| 2004 | Christmas Tree | 39 Gallery, London |
| 2004 | Aftershock | Oneaspace, Hong Kong |
| 2004 | Pub Crawl | 39 Gallery, London |
| 2003 | Francis Bacon as an Exquisite Corpse | 39 Gallery, London |
| 2003 | Drawing Show | Keith Talent Gallery, London |
| 2002 | Four Colleges Show | AT Kearney, London |
| 2001 | New Painters | Agnews, London |
| 2000 | Collector’s Choice | Exit Art, New York |
| 2000 | Assembly | Stepney City, London |
| 2000 | Summer Show | Beaux Arts, London |
| AWARDS | ||
| 2022 | Four Nations Funding | |
| 2020 | New Light Prize | |
| 2020 | Arts Council England | |
| 2019 | Contemporary British Painting Prize | |
| 2019-2022 | Freelands Artist Programme | |
| 2019 | Harley Open Prize | |
| 2004 | LAC Residencies in the City | |
| 2000 | Jardine Lloyd Thompson Painting Prize | |
| 2000 | TI Group Painting Prize | |
| 1999 | NADFAS Greater London Art Bursary | |
| 1999 | John Crane Summer Travel Award | |
| 1999 | Bundy, New York Travel Award | |
| 1998 | Amy Sadur Freidlander Memorial Art Fund | |
| BIBLIOGRAPHY | ||
| 2022 | Freelands Foundation | Aggregate |
| 2022 | Why Now | Artist Interview |
| 2021 | APT Gallery | Darkness at Noon Catalogue |
| 2021 | Financial Times | Smaller is Beautiful, the tiny but triumphant comeback of the art miniature |
| 2020 | Contemporary British Painting | Vitalistic Fantasies |
| 2020 | Contemporary British Painting | Plausible Objects, Difficult Things |
| 2020 | Artist & Illustrators Magazine | Fresh Paint |
| 2020 | Contemporary British Painting | A Celebration of Painting, Griselda Pollock |
| 2019 | Contemporary British Painting | Contemporary British Painting Prize Catalogue |
| 2018 | National Museums Liverpool | John Moores Painting Prize Exhibition Catalogue |
| 2006 | Celeste Art Prize | Celeste Art Prize Catalogue |
| 2004 | London Arts Café | Art & Cities |
| 2001 | Agnews | Joanna Whittle: New Paintings |
| 2000 | TI Group | The TI Art Group Collection Catalogue |