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Press Release
DOMINIC SHEPHERD: THE HOLLOW HILL
EXHIBITION DATES Friday 3 July–Friday 31 July 2026
EXHIBITION HOURS Monday–Friday 10am–5pm
ADDRESS Gramercy Park Studios, 25 Great Pulteney Street, Soho, London W1F 9LT
CHARLIE SMITH LONDON is pleased to present The Hollow Hill, a new exhibition of paintings by Dominic Shepherd.
After a quarter of a century inhabiting a clearing within an ancient wood, Shepherd finds himself a stranger in a strange land once again. He and his wife now live on The Hollow Hill, a place with its own histories, myths, and hidden currents. Their home sits at the original entrance to an Iron Age hill fort, built directly into the ancient ramparts high above the Dorset vales.
The hill is a place shaped by time and disappearance. Beneath its surface lies a network of hidden waters, where springs emerge around and above the summit. Once the site of a holy well, reputed to contain a golden tablet with healing powers, the hill was also home to an anchorite’s chapel. Following the Reformation, these disappeared, though pilgrimage continued with the great agricultural fair held each Autumn equinox. The site later entered literary history through Thomas Hardy’s Far from the Madding Crowd. Where a hamlet once stood on the hill, before gradually vanishing in the late twentieth century, only the house where the Shepherds now live and a derelict farm building remain.
The paintings in The Hollow Hill emerge from a sustained engagement with this place. Walking the hill fort and its environs, Shepherd follows the traces of wells, ponds, barrows, pathways and springs. These walks become a form of exchange between the external world and the inner landscape of memory, imagination, and the unconscious. In these works, landscape becomes both a psychological and symbolic terrain where memory, myth, and perception converge. The Hollow Hill is a meditation on belonging, displacement, and the deep connection between the places we inhabit, their histories, and our own internal worlds.
Dominic Shepherd graduated with an MA in Painting from Chelsea College of Art & Design, London in 1994, having completed his BA (Hons) Painting at the same college in 1988. He has exhibited widely in Europe and the United States, and his work is held in private collections in Australia, France, Germany, Japan, Switzerland, the UK and the United States. Shepherd is an Associate Professor at Arts University Bournemouth, where he is Course Leader for MA Painting.
The exhibition takes place at Gramercy Park Studios, 25 Great Pulteney Street, Soho, London W1F 9LT and is available to view Monday–Friday 10am–5pm.
Biography
| EDUCATION | ||
| 1994–1995 | MA Painting | Chelsea College of Art and Design, London |
| 1985–1988 | BA (Hons) Painting | Chelsea College of Art and Design, London |
| ONE PERSON EXHIBITIONS | ||
| 2026 | The Hollow Hill | CHARLIE SMITH LONDON, London |
| 2019 | Downstream | CHARLIE SMITH LONDON, London |
| 2015 | Bare Foot Prophet | CHARLIE SMITH LONDON, London |
| 2012 | Jerusalem | CHARLIE SMITH LONDON, London |
| 2010 | Lucifer Rising | CHARLIE SMITH LONDON, London |
| 2010 | Mycelium | The Arts University College at Bournemouth |
| 2009 | In the Country of the Blind | Galerie Schuster, Berlin |
| 2001 | Recent Paintings | Clapham Art Gallery, London |
| 2000 | Contemporary Romantic | Clapham Art Gallery, London |
| 1998 | New Paintings | Cadogan Contemporary, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2019 | 10 Years | CHARLIE SMITH LONDON, London |
| 2018 | Fully Awake (curated by Ian Hartshorne and Sean Kaye) | Dyson Gallery, Royal College of Arts, London |
| 2018 | Inaugural exhibition (curated by Dean Melbourne) | Width of Circle, Black Country |
| 2017 | Black Mirror: Magic in Art (curated by Dominic Shepherd) | TheGallery, Arts University Bournemouth, Bournemouth |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2016 | Strange Worlds: The Vision of Angela Carter | RWA, Bristol |
| 2015 | The Fantasy of Representation | Beers Contemporary, London |
| 2015 | Das Unheimliche (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2015 | Die English Kommen! New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
| 2014 | Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2014 | Cultus Deorum (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | Black Mirror (with John Stark) | Galerie Lichtpunkt - Ambacher Contemporary, Munich |
| 2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
| 2012 | Critical Dictionary | WORK, London |
| 2012 | The Perfect Nude (curated by Phillip Allen & Dan Coombs) | CHARLIE SMITH LONDON, London |
| 2012 | The Perfect Nude (curated by Phillip Allen & Dan Coombs) | Wimbledon Space, London |
| 2012 | The Perfect Nude (curated by Phillip Allen & Dan Coombs) | Phoenix Gallery, Exeter |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2011 | Charlie Sierra Lima | CHARLIE SMITH LONDON, London |
| 2011 | Beyond the Commission | The Arts University College, Bournemouth |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipeda Culture Communication Centre, Klaipeda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Torrance |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Garboushian Gallery, Beverley Hills |
| 2010 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Shoreditch Town Hall, London |
| 2010 | Territories | Galerie Schuster, Miami |
| 2010 | Papyrophilia | CHARLIE SMITH LONDON, London |
| 2010 | DEMONOLOGY | CHARLIE SMITH LONDON, London |
| 2010 | New British Painting | Gallery Kalhama & Piippo Contemporary, Helsinki |
| 2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley | Old Truman Brewery, London |
| 2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
| 2008 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2007 | Dominic Shepherd & Julian Lee | Galerie Schuster, Berlin |
| 2007 | Meeting Place | Russell Cotes Art Gallery & Museum, Bournemouth |
| 2006 | Town & Country | Francis Hair Fashions Gallery, London |
| 2005 | Between Dog and Wolf (with Emma Bennett) | Clapham Art Gallery, London |
| 2005 | Bournemouth University Art Loan | Bournemouth University, Bournemouth |
| 2004 | Forever Beautiful | Clapham Art Gallery, London |
| 2004 | John Moores 23 | Walker Art Gallery, Liverpool |
| 2004 | Dominic Shepherd & Liza Campbell | Michael Naimski Gallery, London |
| 2002 | Print UK | Manhattan Graphics, New York |
| 2002 | If Pressed | Sherborne House Arts |
| 2000 | Defining the Times | MK G, Milton Keynes |
| 1999 | Made in England | Vasby Kunsthall, Stockholm |
| 1998 | Winter Show | E1 Gallery, London |
| 1997 | Art in the 90’s: Pure Fantasy | Oriel Mostyn, Llandudno |
| 1996 | Gilchrist Fisher Memorial Award | Cadogan Contemporary, London |
| 1995 | SBC European Art Prize | Smithfield Gallery, London |
| 1995 | 7th Oriel Mostyn | Oriel Mostyn, Llandudno |
| AWARDS & RESIDENCIES | ||
| 2004 | John Moores 23, Visitors Choice Prize | |
| 2000 | Oppenheim-John Downes Trust Award | |
| 1999 | Oppenheim-John Downes Trust Award | |
| 1998 | Artist in Residence | Oriel Mostyn Gallery, Llandudno |
| 1995 | Liquitex Excellence in Art Award | |
| 1994 | Portugal 600 Travel Award | Portugal |
| 1993 | South East Arts Training Award | |
| 1993 | Artist in Residence, Shave International Artist’s Workshop | Somerset |
| 1992 | SEA Young Artist of 1992 | |
| 1989 | Artist in Residence | Koursalo Island, Finland |
| 1988 | Henry Biddulph Travel Scholarship | |
| BIBLIOGRAPHY | ||
| 2014 | Black Mirror 0: Territories, editorial introduction by Dominic Shepherd | Fulgur Esoterica |
| 2013 | The Golden Age: Between Wilderness and Utopia, Dominic Shepherd | The New Pastoral Issue, Architectural Design |
| 2011 | The Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
| 2011 | Critical Dictionary, edited by David Evans | Black Dog Press |
| 2010 | Mycelium, Gavin Parkinson | Text + Work |
| 2008 | THE FUTURE CAN WAIT | Ellis Rumley Projects |
| 2007 | Meeting Place | Exhibition Catalogue |
| 2007 | Critical Dictionary 12 & 14 | criticaldictionary.com |
| 2005 | Bournemouth University Art Loan | Exhibition Catalogue |
| 2005 | Hansel & Gretel | Volume 1, Issue 3, Tales Magazine |
| 2004 | John Moores 23 | Exhibition Catalogue |
| 2004 | The Labyrinth of the Gaze, edited by Gavin Turk | Five |
| 2000 | Dominic Shepherd & Clapham Art Gallery, Oliver Jones | What's On Magazine |
| 1997 | Art in the 90's: Pure Fantasy, Susan Daniel | Exhibition Catalogue |
| 1996 | Seventh Mostyn Open, Mel Gooding | Volume 3, Contemporary Art |
| COLLECTIONS | ||
| Paula Granoff, Providence, Rhode Island | ||
| Steve Shane, New York | ||
| Markus Winzer, Untersiemau | ||
| Private collections in Australia, France, Germany, Japan, Switzerland, United Kingdom & United States | ||








