EDUCATION |
1997-1998 | MA Fine Art | Chelsea College of Art and Design, London |
1993-1996 | BA (Hons) Fine Art | Central Saint Martins College of Art & Design, London |
ONE PERSON EXHIBITIONS |
2023 | SOLO Contemporary, British Art Fair | Saatchi Gallery, London |
2021 | All Aflame | CHARLIE SMITH LONDON, London |
2019 | Volcano Lovers | CHARLIE SMITH LONDON, London |
2017 | Haunts | CHARLIE SMITH LONDON, London |
2015 | Several Small Fires | CHARLIE SMITH LONDON, London |
2013 | Emma Bennett | Chapter Arts Centre, Cardiff |
2012 | And, Afterwards | CHARLIE SMITH LONDON, London |
2010 | Death & Co. | CHARLIE SMITH LONDON, London |
2002 | Emma Bennett: New Paintings | Danielle Arnaud Contemporary Art, London |
SELECTED GROUP EXHIBITIONS |
2023 | Beyond the Gaze – Reclaiming the Landscape (curated by Zavier Ellis)
| Saatchi Gallery, London
|
2021 | Thing Worlds | Art Spot Korin, Kyoto |
2019 | 10 Years | CHARLIE SMITH LONDON, London |
2018 | Sammlung Reydan Weiss. "Ohne Etikett fühle ich mich freier..." Herzog Anton | Ulrich Museum, Braunschweig |
2018 | Context: Gallery Artists & Collaborators | CHARLIE SMITH LONDON, London |
2017 | doing identity. Die Sammlung Reydan Weiss | Kunstmuseum Bochum, Bochum |
2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
2017 | Nature Morte: Contemporary Still Life (curated by Michael Petry) | Guildhall Art Gallery, London |
2017 | Part III: Interiority (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
2016 | I Prefer Life: Reydan Weiss Collection | Wesserburg Museum of Modern Art, Bremen |
2016 | Flora (curated by Alex Boyd Jones) | Aberystwyth Arts Centre, Aberystwyth |
2016 | Black Paintings (curated by Heike Strelow) | Galerie Heike Strelow, Frankfurt |
2016 | Flora (curated by Alex Boyd Jones) | Oriel Plas Glyn y Weddw, Pwllheli |
2016 | Black Paintings (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
2015 | Flora (curated by Alex Boyd Jones) | Oriel Myrddin Gallery, Camarthen |
2015 | Flora (curated by Alex Boyd Jones) | Oriel Davies Gallery, Newtown |
2015 | Die English Kommen! New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
2015 | Still Life - Ambiguous Practices (curated by Frances Woodley) | School of Art Gallery and Museum, Aberystwyth |
2015 | Collection of Small Paintings | The Contemporary London, London |
2014 | 100 Painters of Tomorrow: London | Beers Contemporary, London |
2014 | Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
2014 | Still Life: All Coherence Gone? (curated by Frances Woodley) | BayArt Gallery, Cardiff |
2014 | Fleursdumal | CHARLIE SMITH LONDON, London |
2014 | Fleursdumal | Lion and Lamb Gallery, London |
2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
2013 | Emma Bennett & Caro Suerkemper: Glazed | BRAUBACHfive, Frankfurt |
2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
2012 | The Serpent’s Tail | Witzenhausen Gallery, Amsterdam |
2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
2012 | Kalliphilia | Vegas Gallery, London |
2012 | East Wing X | Courtauld Institute, London |
2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
2011 | Charlie Sierra Lima | CHARLIE SMITH LONDON, London |
2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipėda Culture Communication Centre, Klaipėda |
2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Los Angeles |
2010 | New British Painting | Gallery Kalhama & Piippo Contemporary, Helsinki |
2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
2008 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
2007 | Equinox | Sarah Myerscough Fine Art, London |
2006 | Nocturnal | Sarah Myerscough Fine Art, London |
2006 | John Moores 24 / Liverpool Biennale | Walker Art Gallery, Liverpool |
2005 | Between Dog & Wolf | Clapham Art Gallery, London |
2004 | Forever Beautiful | Clapham Art Gallery, London |
2004 | Summer Showcase 2004 | Case 1, London |
2004 | Emma Bennett, Marion Coutts, Anna Lucas | Front, London |
2001 | A Month in the Garden | The Museum of Garden History, London |
2001 | Bittersweet | Danielle Arnaud Contemporary Art, London |
2001 | Uchaperoned | Aroma Project Space, Berlin |
2001 | Deptford X | Deptford X, London |
1999 | Blink | Princelet Street, London |
BIBLIOGRAPHY |
2015 | Still Life: Ambiguous Practices, Frances Woodley | Aberystwyth University |
2014 | 100 Painters of Tomorrow, Kurt Beers | Thames & Hudson |
2014 | Still Life: All Coherence Gone?, Frances Woodley | Aberystwyth University |
2013 | Nature Morte, Michael Petry | Thames & Hudson |
2013 | 100 London Artists Vol. 1, Zavier Ellis & Edward Lucie-Smith | iArtBook |
2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Ellis Rumley Projects & Saatchi Gallery |
2008 | THE FUTURE CAN WAIT | Ellis Rumley Projects |
COLLECTIONS |
K & K Kollektion, Monaco |
Prieskel & Co, London |
Julian & Stephanie Grose, Adelaide |
David Roberts, London |
The Reydan Weiss Collection, Munich |
Private collections in Germany, Italy, Switzerland, United Kingdom & United States |