| EDUCATION |
| 2000-2002 | MA Painting | Royal College of Art, London |
| 1997-2000 | BA (Hons) Fine Art | City and Guilds of London Art School, London |
| ONE PERSON EXHIBITIONS |
| 2014 | Same As It Ever Was | CHARLIE SMITH LONDON, London |
| 2010 | Isolation Room (Black Economy) | Gallery Kit, St Louis |
| 2010 | Syllabus: LikeFliesRoundShit | Hunt Gallery, Sandwich |
| 2010 | Dark Matter | CHARLIE SMITH LONDON, London |
| 2008 | New Dawn | Chapter Gallery, Assembly Solo, Cardiff |
| 2008 | Alex Gene Morrison, New Video Work | Moot, Nottingham |
| 2007 | Adrift | The Fishmarket, Northampton |
| 2006 | Vile Lure | Rockwell Gallery, London |
| 2004 | Search and Destroy | Rosy Wilde Gallery, London |
| SELECTED GROUP EXHIBITIONS |
| 2019 | 10 Years | CHARLIE SMITH LONDON, London |
| 2019 | Plan B | David Zwirner Gallery, New York |
| 2018 | Do Re Mi So La Te (curated by Karen David) | Griffin Gallery, London |
| 2018 | Context: Gallery Artists & Collaborators | CHARLIE SMITH LONDON, London |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2017 | And If A Double Decker Bus (Curated by Dan Howard Birt) | Kingsgate Project Space, London |
| 2017 | Part I: Street Semiotics (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2016 | The Good, the Bad and the Ugly: 22 Painters (curated by Alex Gene Morrison & Kiera Bennett) | CHARLIE SMITH LONDON, London |
| 2016 | Black Paintings (curated by Heike Strelow) | Galerie Heike Strelow, Frankfurt |
| 2016 | Semiotic Guerrilla Warfare (Part 2) | Dean Clough Museum, Halifax |
| 2015 | Semiotic Guerrilla Warfare (Part 1) | PAPER Gallery, Manchester |
| 2015 | Black Paintings (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2015 | Die English Kommen! – New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
| 2015 | Birmingham Show | Eastside Projects, Birmingham |
| 2015 | The Opinion Makers | Londonewcastle Project Space, London |
| 2014 | 2014 Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2014 | Cultus Deorum (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2014 | Zinger Humdinger | Canal Projects, London |
| 2014 | Same As It Ever Was | CHARLIE SMITH LONDON, London |
| 2014 | London Abstract | Braubach Five Gallery, Frankfurt |
| 2013 | Art Britannia | Art Basel Miami |
| 2013 | Summer Saloon Show | Lion and Lamb Gallery, London |
| 2013 | Beautiful Things | Albert Dock, Liverpool |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | The Perfect Nude (curated by Dan Coombs & Phillip Allen) | CHARLIE SMITH LONDON, London |
| 2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
| 2012 | Royal Academy Summer Exhibition | Royal Academy of Arts, London |
| 2012 | Ha Ha what does this represent | Standpoint Gallery, London |
| 2012 | The Perfect Nude (curated by Dan Coombs & Phillip Allen) | Wimbledon Art College Space, London |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2011 | Video in Britain Today | Bermondsey Project Space, London |
| 2011 | Pulp Fictions | Transition Gallery, London |
| 2011 | Charlie Sierra Lima | CHARLIE SMITH LONDON, London |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipeda Culture Communication Centre, Klaipeda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Torrance |
| 2011 | The Man Who Fell To Earth | Monika Bobinska @ Jens Hills, London |
| 2011 | Fade Away | Gallery North, Northumbria University |
| 2011 | The Beard (curated by Alex Gene Morrison & Kiera Bennett) | CHARLIE SMITH LONDON, London |
| 2010 | Fade Away | Transition Gallery, London |
| 2010 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Shoreditch Town Hall, London |
| 2010 | The Term “Reality” | Paul Stolper, London |
| 2010 | New British Painting | Gallery Kalhama & Piippo Contemporary, Helsinki |
| 2010 | Papyrophilia | CHARLIE SMITH LONDON, London |
| 2010 | Demonology | CHARLIE SMITH LONDON, London |
| 2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2009 | Sliding Down a Radiant Abyss | Crimes Town Gallery, London |
| 2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
| 2009 | Radiator Festival | Anexinema Video Screening, Nottingham |
| 2009 | The Golden Record | G39, Cardiff & The Collection, Lincoln |
| 2008 | The Golden Record | The Collective Gallery, Edinburgh |
| 2008 | THE FUTURE CAN WAIT(curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2008 | John Moores Contemporary Painting Prize 25 | Walker Art Gallery, Liverpool |
| 2008 | The Past is History (curated by Zavier Ellis & Simon Rumley) | Changing Role Gallery, Naples |
| 2008 | The Past is History (curated by Zavier Ellis & Simon Rumley) | Changing Role Gallery, Rome |
| 2008 | 6. Fun House (7:46), Will Turner & Alex Gene Morrison | Way East Gallery, London |
| 2008 | Icon (curated by Hugh Mendes) | Primo Alonso Gallery, London |
| 2007 | Nativity | 39, London |
| 2007 | Spectre Vs Rectre | The Residence, London |
| 2007 | Loners Island | G39, Cardiff |
| 2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Atlantis Gallery, London |
| 2007 | Gire and Gimble | Blyth Gallery, Imperial college, London |
| 2007 | Hung Drawn Quasi Stellar Object | Portman Gallery, London |
| 2007 | Nature and Society | Dubrovacki Muzeji (Dubrovnik Museums), Croatia |
| 2007 | My Penguin | 39, London |
| 2007 | Visions at the Nunnery | The Nunnery, London |
| 2006 | Artists Choice | Leisure Club Mogadishni, Copenhagen |
| 2006 | 10th Planet | Unit A04, London |
| 2006 | Metropolis Rise: New Art from London | CQL Design Center, Shanghai |
| 2006 | Metropolis Rise: New Art from London | Dashanzi 798 Art District |
| 2005 | Fuckin Brilliant | Tokyo Wondersite, Tokyo |
| 2005 | Hydrophobia | Zinger Presents, Tilburg |
| 2005 | New London Kicks | Wooster Projects, New York |
| 2005 | Heaven and Earth | Hackney Empire, London |
| 2005 | Faux Realism | Royal Academy Pump House Gallery, London |
| 2005 | New London Kicks (in association with Armory Show & Art Review) | Soho House, New York |
| 2005 | The Darkest Hour | Leisure Club Mogadishni, Copenhagen |
| 2004 | If You Go Down to the Woods Today | Rockwell Gallery, London |
| 2004 | Uneven Surfaces | temporarycontemporary, London |
| 2004 | Zombie | Gallery Ude, Düsseldorf |
| 2004 | Other People | Three Colts Gallery, London |
| 2004 | First Assembly | The Ragged School, London |
| 2004 | Sympathetic Nerve | Capsule Gallery, New York |
| 2004 | Born Cry Eat Shit Fuck Die | Rockwell Gallery, London |
| 2003 | Snow | Transition Gallery, London |
| 2003 | Portrait of the Artist as Exquisite Corpse | 39, London |
| 2003 | Tiny New Nation | Bowie Art, London |
| 2003 | Moral Combat | St Leonard’s Church, London |
| 2003 | Rockwell | Rockwell Gallery, London |
| 2003 | The Protective Clothing Company | Knox Gallery, London |
| 2002 | Full House | FNR Projects, London |
| 2001 | Modern Love | Hobbypop Museum, Düsseldorf |
| 2001 | Modern Love | VTO Gallery, London |
| BIBLIOGRAPHY |
| 2009 (Jul) | Artist of the Week, Jessica Lack | Guardian Online |
| 2008 | One in the Other, Anthony Shapland | G39 Gallery, Cardiff |
| 2008 | THE FUTURE CAN WAIT | Ellis Rumley Projects |
| 2008 | John Moores 25 | Walker Art Gallery, Liverpool |
| 2008 (Jul) | Q&A interview for Chapter Gallery solo show | Metro Newspaper |
| 2008 (Mar) | Artist Feature, Issue 9 | Amelia’s Magazine |
| 2007 (Dec) | Preview for ‘Loners Island’, Jessica Lack | Guardian Guide |
| 2007 | Nature and Society, Richard Dyer | Dubrovacki Muzeji (Dubrovnik Museums) |
| 2007 | Issue 4 | Fash N Riot |
| 2006 (Nov) | Review of ‘Vile Lure’ (solo show), Sally O’Reilly | TimeOut London |
| 2006 (Nov) | Preview, ‘Vile Lure’ (solo show), Jessica Lack | Guardian Guide |
| 2006 | Metropolis Rise: New Art from London | Exhibition Catalogue |
| 2005 (Oct) | Feature on east London galleries | Modern Painters |
| 2005 (Jul) | Heaven and Earth | Exhibition Catalogue, Earwig Books |
| 2005 (Mar) | Preview & Pick of the Week for ‘Faux Realism’, Jessica Lack | Guardian Guide |
| 2005 | Issue 3 | Fash N Riot |
| 2004 (Dec) | Feature on London artists | Artforum |
| 2004 (Sep) | Review of ‘Other People’ | TimeOut |
| 2004 (Aug) | Ape Institute Annual Review, feature on Rockwell Gallery | Ape Institute |
| 2004 (Mar) | Feature on Keith Talent Gallery | Miser & Now |
| 2004 (Feb) | Pick of the Week for ‘Search and Destroy’, Jessica Lack | Guardian |
| 2003 (Dec) | Review of ‘Snow’ | TimeOut |
| 2003 | Issue 2 | Fash N Riot |
| 2003 (Jul/Aug) | Friends in High Places | Art Review |
| COLLECTIONS |
| David Roberts, London |
| Private collections in France, Germany & United Kingdom |
