Dolly Thompsett |
EDUCATION |
2002 - 2006 | Practice-based PhD Fine Art | Goldsmiths, London |
2000 - 2001 | MA Fine Art | Byam Shaw School of Art, London |
1989 - 1992 | BA (Hons) Illustration | Manchester Metropolitan University |
ONE / TWO PERSON EXHIBITIONS |
2014 | | Ritter/Zamet, London |
2013 | Haruko Maeda, Dolly Thompsett | All Visual Arts, London |
2012 | | Vigo Gallery, London |
2010 | | ArtSway, Hampshire |
2009 | | Ritter/Zamet, London |
2007 | | Fred [London] Gallery, London |
2005 | Dolly Thompsett / Artlab | Ritter/Zamet, London |
SELECTED GROUP EXHIBITIONS |
2014 | FleursduMal | Lion and Lamb Gallery, London |
2014 | Mr and Mrs Andrews | Transition Gallery, London |
2013 | Viewing Room | All Visual Arts, London |
2013 | Art Britannia Miami (curated by Ben Austin) | |
2013 | On Deck | Marc Strauss Gallery, New York |
2013 | Wunderlust | Contemporary Arts Society, London |
2013 | The Collection | The House of St Barnabus, London |
2012 | Metamorphosis (curated by Wolfgang Schoppmann and Joe La Placa) | The Crypt, London |
2012 | London 12 (curated by Toby Clarke) | City Museum and Art Gallery, Prague |
2012 | The Seven Lamps | Lobomirov-Easton, London |
2012 | Hallogallo | London Metropolitan University Gallery, London |
2011 | Dolly Thompsett, Alicia Magolis, Dee Ferris, Anna Genger | Matthew Bown Gallerie, Berlin |
2010 | From the Mountains where Whales Once Lived | UNION, London |
2010 | Vanitas: The Transcience of Earthly Pleasures | AVA, London |
2009 | Creekside | APT Gallery, London |
2009 | ArtSway | Hampshire |
2009 | The Golden Record | The Collection, Lincolnshire |
2008 | Jerwood Drawing Prize | Jerwood Space, London (and touring) |
2008 | Cromophilia (curated by Pemille Holm-Mercer) | Bearspace, London |
2008 | Lucifer’s Greatest Art Show | Fred Leipzig Gallery, Leipzig |
2008 | Super-cilia | Royal Liver Building, Liverpool |
2008 | The Golden Record | Collective Gallery, Liverpool |
2007 | Emergency3 (selected by Paul Hedges and Jo Bushnell) | Aspex, Portsmouth |
2007 | Drifting Clouds (curated by Rita Selvaggio) | Image Furini Arte Contemporanea, Arezzo |
2007 | Salon Nouveau (curated by Jasper Sharpe) | Engholm Englehorn, Vienna |
2006 | The Wonderful Fund Collection on Tour | Pallant House, Chichester |
2006 | Sweetex (curated by Pemille Holm Mercer) | Standpoint, London |
2005 | When I lived in Modern Times | Northern Gallery of Contemporary Art, Sunderland |
2005 | Morpho Eugenia | Museo di Republica, San Marino |
2005 | The Wonderful Fund Collection on Tour | Le Musee de Marrakech, Morocco |
2004 | Arrivals | The Pump House, London |
2004 | Caution: Uneven Surfaces | temporarycontemporary, London |
2004 | Goldsmiths: MA Show | Goldsmiths, London |
2003 | Fantastic! | Catacombs Gallery, St Pancras Church, London |
AWARDS & RESIDENCIES |
2009 | Winner First Prize, Artsway 2009 | Hampshire |
2009 | Finalist, Creekside | APT Gallery, London |
2008 | Finalist, Jerwood Drawing Prize | (touring) |
2007 | Finalist, Emergency3 | Aspex, Portsmouth |
2005 | Full Bursary, Goldsmiths College | London |
2004 | Goldsmiths Warden’s Purchase Prize | London |
2011 | ‘Artist’s Commission’, Turps, Summer 2011 | |
2011 | About Painting, ‘Dolly Thompsett Paintings’, published by ArtSway, Barry Schwabsky | |
2011 | Vanitas: The Transcience of Earthly Pleasures, published by All Visual Arts, Gilda Williams | |
2010 | ‘Post-Frieze Extras: 14 Picks’, Saatchi Online, Paul Carey-Kent | |
2010 | ‘Dolly Thompsett’, Saatchi Online Critic’s Choice, Paul Carey-Kent | |
2010 | ‘The Big Picture’, a-n magazine, Andrew Bryant | |
2007 | ‘The New Wave – Where Does British Art Go Next?’, Art and Antiques, Georgina Adam | |
2007 | ‘Dolly Thompsett, Fred Ltd’, Tides and Undertow, Martin Herbert | |
2007 | ‘Davey Jones’ Locker’, The First Post, Neal Brown | |
2007 | ‘Can the East End art scene be as hot as some claim – 15 years after it got trendy?’, The Sunday Times, Waldemar Januszczak | |
2007 | ‘Zoo story’, The First Post, Neal Brown | |
2007 | ‘Echoes in Eternity’, Garageland (issue 5), Dolly Thompsett | |
2005 | ‘When I lived in Modern Times’, Metro, Christopher Collett | |
2005 | ‘Morpho Eugenia’, Museum D’Arte Moderna E Contemporanea, Rita Salvaggio | |
2005 | ‘Artlab, Dolly Thompsett’, TimeOut London (No. 1820), Martin Cooner | |
2005 | ‘When I lived in Modern Times’, Northern Gallery of Contemporary Art, Alistair Robinson | |
2003 | ‘Fantastic!’, St Pancras Catacombs, Matthew Arnatt | |
COLLECTIONS |
Goldmsiths College Collection | |
Neuberger Berman Inc | |
Ernst & Young | |
UBS | |
Wonderful Fund | |
Simmons & Simmons | |
Teseco Foundation | |
Zabludowitz Foundation | |
John Jones | |
AVA | |
Contemporary Art Society | |
The House of St Barnabus | |