Biography | Graham Dolphin
| EDUCATION | ||
| 1991–1994 | BA (Hons) Painting | Bath College, UK |
| ONE PERSON EXHIBITIONS | ||
| 2016 | Graham Dolphin | NGCA, Sunderland |
| 2016 | 161 Feet | (Free Trade Hall 1976), Tyneside Cinema Gallery, Newcastle upon Tyne, UK |
| 2016 | Graham Dolphin | Northern Gallery for Contemporary Art, Sunderland, UK |
| 2016 | View Source | NGC, Sunderland, UK |
| 2014 | Visual Drone (Unresolved) | Stockholm Music & Art, Stockholm, SE |
| 2013 | RIP | Lorna Reynolds Gallery, Austin, Texas, US |
| 2012 | Come Together | Northern Gallery for Contemporary Art, Sunderland, UK |
| 2012 | View | David Risley Gallery, Copenhagen, DK |
| 2012 | What is The Word | Seventeen, London, UK |
| 2011 | The Stars Will Remain Here | Regina Gallery, Moscow, RU |
| 2011 | Work | Vaxjo Konsthall, Vaxjo, SE |
| 2010 | Rock | David Risley Gallery, Copenhagen, DK |
| 2010 | Burn away fade out | Seventeen, London, UK |
| 2008 | 6 Sheet | Seventeen, London, UK |
| 2007 | Repeater | BALTIC Centre for Contemporary Art, Gateshead, UK |
| 2006 | 33.333333333333 | Seventeen, London, UK |
| 2005 | BOUDICCA Animate Collected, Exploded and Condensed | David Risley Gallery, London, UK |
| 2005 | Everything in Vogue | mima, Middlesbrough, UK |
| 2002 | Everyword In Vogue | Five Years, London, UK |
| SELECTED GROUP EXHIBITIONS | ||
| 2018 | Chair, Chair, Chair, Lamp, Table, Bed, Sofa | David Risley Gallery, Copenhagen, DK |
| 2017 | In the Pines – Slight Return | David Risley Gallery, Copenhagen, DK |
| 2016 | Brink | CGP London, UK |
| 2016 | On The Immense and the Numberless | David Risley Gallery, Copenhagen, DK |
| 2015 | The Curves of the Needle | Baltic Centre for Contemporary Art (Baltic 39),Newcastle upon Tyne, UK |
| 2015 | Swansea (Track 10) | Art Across the City, Swansea, UK |
| 2015 | The Secret Self | NEST, The Hague, NL |
| 2015 | Absence (Looking for Hammershøi) | David Risley Gallery, Copenhagen, DK |
| 2014 | This Is Our Music – This Is Our Art | David Risley Gallery, Copenhagen, DK |
| 2014 | REVERB | Torrance Art Museum, Torrance, US |
| 2013 | Tip Of The Iceberg | Contemporary Art Society, London, UK |
| 2013 | Like Smoke Related To Fire | SEVENTEEN, London, UK |
| 2013 | Are You Alright? New Art From Britain | Museum of Contemporary Art, Toronto,CA |
| 2012 | I Wish This Was A Song. Music in Contemporary Art | Nasjonalmuseet (Museum of Contemporary Art), Oslo, NO |
| 2012 | English Journey Re-Imagined | Latitude Festival, UK |
| 2012 | Thank You For The Music | Kiasma, Helsinki, FI |
| 2011 | English Journey Re-Imagined | Barbican, London, UK |
| 2011 | Nothing in the World But YOUTH | Turner Contemporary, Margate, UK |
| 2011 | Backstage Riders, Tagesspiegel-Gebäude | organised by KUNST Magazin, Berlin, DE |
| 2011 | Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance | Dublin Contemporary, Dublin, IE |
| 2010 | Schunk@Pinkpop | Schunk, NL |
| 2010 | Spasticus Artisticus | Ceri Hand Gallery, Liverpool, UK |
| 2010 | Read Only Memory | Winkleman Gallery, New York, US |
| 2010 | PARTY! | The New Art Gallery, Walsall, UK |
| 2009 | Contemporary Cutlure | Lora Reynolds Gallery, Austin, US |
| 2009 | Inkubator II | Durham Art Gallery, Durham, UK |
| 2009 | Word | William Shearburn Gallery, St. Louis, US |
| 2009 | Mark Marking | Lora Reynolds Gallery, Austin, US |
| 2009 | Pattern Recognition | The City Gallery, Leicester, UK |
| 2009 | Rotate | Contemporary Art Society, London, UK |
| 2009 | Timecode | Dundee Contemporary Arts, Dundee, UK |
| 2008 | Kill Your Timid Notion | DCA, Dundee, UK |
| 2008 | THE KRAUTCHO CLUB / IN AND OUT OF PLACE | 176, London, UK |
| 2008 | Microwave 6 | Josee Bienvenu Gallery, New York, US |
| 2008 | Material Culture: Recently Gifted Works | mima, Middlesbrough, UK |
| 2008 | Yours Mine Ours | University Gallery, University of Essex, Colchester, UK |
| 2007 | When We Build Let Us Think We Build Forever | BALTIC Centre for ContemporaryArt, Gateshead, UK |
| 2007 | PLUS | Wiesbaden Musuem, Wiesbaden, DE |
| 2007 | Film On Film | Berwick Film & Media Arts Festival, Berwick upon Tweed, UK |
| 2007 | Becks Fusions | ICA and Forma, London, touring to Dublin, Manchester, Glasgow,UK |
| 2007 | Play Yourself | Gimpel Fils, London, UK |
| 2007 | Harry Smith Anthology Remixed | Alt Gallery, Newcastle, tours to CCA Glasgow,UK |
| 2007 | Citadel 1 | David Risley Gallery, London, UK |
| 2007 | ULTRASONIC INTERNATIONAL II | Mark Moore Gallery, Santa Monica, US |
| 2006 | Excess | Angel Row Gallery, Nottingham, UK |
| 2006 | Kaleidscope | Whitechapel Art Gallery, London, UK |
| 2006 | The Opposite of Vertigo | Burren College of Art, Ballyvaughan, IE. Curated by Locus+ |
| 2006 | Case Study 2 | Plymouth Art Centre, Plymouth, US |
| 2006 | Until It Makes Sense | Seventeen Gallery, London, UK - touring to GalerieThaddaeus Ropac, Paris, FR |
| 2006 | Loewe, Take Me With You | Circulo de Bellas Artes, Madrid, SE -touring to Mori Art Gallery, Tokyo, JP |
| 2006 | You Shall Know Our Velocity | BALTIC Centre for Contemporary Art, Gateshead, UK |
| 2006 | Case Study | Beyond the Valley, London, UK |
| 2005 | ArtFutures | Contemporary Art Society, Bloomberg SPACE, London, UK |
| 2005 | They call us lonely when we're really just alone | Vane, Newcastle, UK |
| 2005 | The Space Between the Sole and the Heel | Globe Hub, North Shields, UK |
| 2005 | Interference, The Great Unsigned | Waugh Thistleton Architecture, London, UK |
| 2004 | PILOT 01 | International Art Forum, Limehouse Town Hall, London, UK |
| 2004 | QSL, audio publication and temporary radio show | pub. mima, Middlesbrough, UK |
| 2003 | Translator | Vane, Newcastle, UK |
| 2002 | Rapture: Art's Seduction By Fashion | Barbican Gallery, London, UK |
| 2002 | The Mind Is A Horse | Bloomberg SPACE, London, UK |
| 2002 | Grotesque Idyll | Kinnijoe Space, Hamburg, DE |
| 2000 | Felt-tip | Zwemmer Gallery, London, UK |
| 2000 | Introduction Service | Zwemmer Gallery, London, UK |
| 1999 | Kill Yr Idols | Laure Genillard Gallery, London, UK |
| 1999 | Accelerator | Southampton City Art Gallery, touring to Arnolfini, Bristol, and Oldham Art Gallery, UK. |
| AWARDS | ||
| 2006 | Vordemberger-Gildewart Prize 2006 - Second prize | |
| BIBLIOGRAPHY | ||
| I Wish This Was A Song, catalogue, pub. Nasjonalmuseet for Art, Architecure and Design, Oslo | ||
| Thank You For The Music, catalogue, pub. Kiasma, Helsinki | ||
| Nothing In The World But Youth, catalogue, pub. Turner Contemporary | ||
| Excess, catalogue pub Angel Row, Nottingham | ||
| Thirty Three and a Third, catalogue pub. Seventeen Gallery, London | ||
| Until It Makes Sense, catalogue pub Seventeen Gallery, London | ||
| Loewe Take Me With You, catalgue, pub. Loewe, Madrid | ||
| Everything in Vogue - Graham Dolphin, ed. Judith Winter, texts by Chris Townsend, Judith Winter, | ||
| pub. Art Editions North, Sunderland and mima, Middlesbrough | ||
| QSL, catalogue with audio CD, pub. mima, Middlesbrough | ||
| Rapture: Art's Seduction by Fashion Since 1970, Chris Townsend, pub. Thames and Hudson, London | ||
| COLLECTIONS | ||
| Middlesborough Institute of Modern Art (UK), Zabludowicz Art Trust (UK), Viktor & Rolf (UK), David Roberts (UK), Kevin Smith (UK), Jerry Speyer (US), CCA | ||
| Andratx Art Centre (ES), Ole Faarup (DK), Asbæk Art consulting (DK), West | ||
| Collection (US), Loewe Foundation (ES), Hope Collection (US), Museum Weisbaden (DE), Ragnarock Museet (DK) | ||
| Middlesborough Institute of Modern Art (UK), Zabludowicz Art Trust (UK), Viktor & Rolf (UK), David Roberts (UK), Kevin Smith (UK), Jerry Speyer (US), CCA | ||
Biography | Zavier Ellis
| EDUCATION | ||
| 2003-2005 | MA Fine Art (Painting) | City & Guilds of London Art School |
| 1993-1996 | BA (Hons) History of Modern Art | University of Manchester |
| ONE PERSON EXHIBITIONS | ||
| 2014 | Type 1 Zealotry (curated by Edward Lucie-Smith) | Cock ’n’ Bull Gallery, London |
| 2000 | New Paintings | Clapham Art Gallery, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2020 | PROJECT PAPYROPHILIA | CHARLIE SMITH LONDON, London |
| 2018 | The Discontents (with Matthew Collings, Tommaso Corvi-Mora, Matthew Higgs, Max Presneill) | Bermondsey Project Space, London |
| 2018 | Sawdust and Sequins: The Art of the Circus (curated by Fiona Robinson & Nathalie Levy) | Royal West of England Academy, Bristol |
| 2018 | Face Value2 | Old Truman Brewery, London |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2017 | Political Gestures | Galerie Heike Strelow, Frankfurt |
| 2017 | Expressive Gestures | Galerie Heike Strelow, Frankfurt |
| 2017 | Back to Basics: Text (curated by Artemis Potamianou) | ENIA Gallery, Pireas |
| 2016 | Black Paintings (curated by Heike Strelow) | Galerie Heike Strelow, Frankfurt |
| 2016 | Semiotic Guerrilla Warfare part III (curated by David Hancock) | Dean Clough, Halifax |
| 2015 | Semiotic Guerrilla Warfare part I (curated by David Hancock) | Paper, Manchester |
| 2015 | An Odyssey | Torrance Art Museum, Torrance |
| 2015 | Cult of the Concrete (curated by Alexis Milne) | Joey Ramone Gallery, Rotterdam |
| 2014 | The Opinion Makers 2 | Londonewcastle, London |
| 2014 | Cultus Deorum (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2014 | Cathal Smyth: A Comfortable Man (curated by MC Llamas) | Wilton’s Music Hall, London |
| 2014 | WATCHMEN: Surveillance and The Flâneur (curated by Max Presneill and Lisa DeSmidt | Torrance Art Museum, Torrance |
| 2014 | Stations of the Cross: Above and Below | St Marylebone Parish Church, London |
| 2013 | First Come First Served | Lion and Lamb, London |
| 2013 | London Abstrakt | BRAUBACHfive, Frankfurt |
| 2013 | Macmillan De'Longhi Art Auction | Royal College of Art, London |
| 2013 | I Love You Because (curated by Chloe Mortimer and Harry Pye) | A-side B-side Gallery, London |
| 2013 | Photo & Print | Charlie Dutton Gallery, London |
| 2012 | Alter | VEGAS, London |
| 2012 | Contemporary Visions | Beers.Lambert Contemporary Art, London |
| 2012 | The Impossible Heap | Galerie8, London |
| 2011 | London International (curated by Edward Lucie-Smith) | Klaipėda Culture Communication Centre, Klaipėda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith, Max Presneill & Simon Rumley) | Torrance Art Museum, Torrance |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Garboushian Gallery, Beverley Hills |
| 2011 | Stockholm Syndrome (curated by Alexis Milne) | Studio B3.2, London |
| 2010 | Rizing Stars of Bethnalhem | High Roller Society, London |
| 2010 | PressArt: Die Sammlung Annette und Peter Nobel | Museum der Moderne, Salzburg |
| 2010 | The Term “Reality”: Collages 1970 - 2010 | Paul Stolper, London |
| 2008 | Swap Meet | Raid Projects, Los Angeles |
| 2007 | Dorian Gray Project: Happy Days (curated by Infinity Bunce & Katherine Lubar) | John Jones Project Space, London |
| 2006 | Obsession (curated by Robin Mason) | Sartorial Contemporary Art, London |
| 2006 | Wish You Were Here | A.I.R. Gallery, New York |
| 2006 | The Mouse That Roared (curated by Kieron Dennis) | Project 133, London |
| 2006 | The Circus Show (curated by Marcus Cope & Stephanie Moran) | Three Colts Gallery, London |
| 2005 | Young Gods edition III (curated by Zavier Ellis) | Clapham Art Gallery, London |
| 2003 | 100 Sale of the Century | The Arts Theatre, London |
| 2003 | Gallery Artists 2002-2003 | Clapham Art Gallery, London |
| 2003 | 100 | Studio Voltaire, London |
| 2002 | Studio Voltaire Open | Studio Voltaire, London |
| 2000 | 14x14 | Mafuji Gallery, London |
| BIBLIOGRAPHY | ||
| 2018 | FaceValue2 | Exhibition Catalogue, Jealous East, London |
| 2016 | PRESS ART: Die Sammlung Annette und Peter Nobel Vol. II | Stämpfli (ISBN 978-3-7272-1459-2) |
| 2013 | Just who is Zavier Ellis? by Mike von Joel | State Magazine, Edition 09, January 2013 |
| 2011 | London International | Exhibition Catalogue, Klaipėda Culture Communication Centre, Klaipeda |
| 2010 | PRESS ART: Die Sammlung Annette und Peter Nobel | Stämpfli (ISBN 978-3-7272-1134-8) |
| COLLECTIONS | ||
| Julian & Stephanie Grose, Adelaide | ||
| Werner Grub, London | ||
| Ann Lewis, Sydney / New York | ||
| Sammlung Annette und Peter Nobel, Zurich | ||
| Soho House, London | ||
| Soho Warehouse, Los Angeles | ||
| Private collections in Austria, Denmark, France, Germany, United Kingdom & United States | ||
Biography | Sam Jackson
| EDUCATION | ||
| 2004 - 2007 | Post-Graduate Diploma Fine Art | Royal Academy Schools, London |
| 2000 - 2003 | BA (Hons) Fine Art | Middlesex University, London |
| ONE PERSON EXHIBITIONS | ||
| 2023 | Retrospective: Fifteen Years (curated by Zavier Ellis) | GIANT GALLERY, Bournemouth |
| 2023 | Correspondences | Galerie Isabelle Gounod, Paris |
| 2022 | Autumn Song | Gramercy Park Studios, London |
| 2021 | Collaborators | CHARLIE SMITH LONDON, London |
| 2019 | Chronicles | CHARLIE SMITH LONDON, London |
| 2018 | RUN TO ME (with Derek Ridgers | curated by Faye Dowling) | Galerie Heike Strelow, Frankfurt |
| 2017 | RUN TO ME (with Derek Ridgers | curated by Faye Dowling) | CHARLIE SMITH LONDON, London |
| 2014 | Colossal Youth (Part 2) | CHARLIE SMITH LONDON, London |
| 2014 | Colossal Youth (Part 1) | VOLTA, New York |
| 2011 | The Fearful Joy | CHARLIE SMITH LONDON, London |
| 2009 | Vas Deferens | CHARLIE SMITH LONDON, London |
| 2008 | The Cabinet | BRAUBACHfive, Frankfurt |
| 2008 | Boundaries | Thomas Williams Fine Art, London |
| SELECTED GROUP EXHIBITIONS | ||
| 2024 | Sometimes Always (collaborative paintings with Zavier Ellis) | Gramercy Park Studios, London |
| 2023 | Rose Garden | Terrace Gallery, London |
| 2022 | An eXhibition of SMALL things with BIG ideas (curated by Paul Carey-Kent) White | Conduit Projects, London |
| 2022 | DELTA GAMMA (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2021 | Repetition | The Depot x CHARLIE SMITH LONDON, London |
| 2020 | Picture Palace | Transition Gallery, London |
| 2020 | Words that transform, vibrate and glow: 13 paintings inspired by the lyrics of Nick Cave (curated by Angela Koulakoglou) | CHARLIE SMITH LONDON, London |
| 2019 | 10 Years | CHARLIE SMITH LONDON, London |
| 2019 | Plan B | David Zwirner Gallery, New York |
| 2018 | Total Eclipse of The Heart - Paintings about Women (curated by Dan Coombs) | Watson Farley & Williams, London |
| 2018 | Making and Breaking the Rules: Royal Academy 250 | Russel-Cotes Art Gallery & Museum, Bournemouth |
| 2018 | Pleasure Drive (curated by GSL Projekt and CAVE 3000) | GSL Projekt, Berlin |
| 2017 | In Memoriam Francesca Lowe | Old Truman Brewery, London |
| 2017 | Part I: Street Semiotics (curated by Zavier Ellis) | CHARLIE SMITH LONDON, London |
| 2016 | A Promise of Truth - the Contemporary Portrait | Galerie Robert Drees, Berlin |
| 2016 | Black Paintings | Galerie Heike Strelow, Frankfurt |
| 2016 | Semiotic Guerilla Warfare (Part 2) | Dean Clough Museum, Halifax |
| 2015 | Semiotic Guerilla Warfare (Part 1) | PAPER Gallery, Manchester |
| 2015 | Black Paintings | CHARLIE SMITH LONDON, London |
| 2015 | Black Paintings : CHARLIE SMITH LONDON & Heike Strelow Gallery | Positions, Berlin |
| 2015 | REALITY: Modern and Contemporary British Painting | Walker Art Museum, Liverpool |
| 2015 | Die English Kommen! - New Painting from London (curated by Zavier Ellis) | Galerie Heike Strelow, Frankfurt |
| 2014 | Idolatry | CHARLIE SMITH LONDON, London |
| 2014 | Saatchi’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca | B1, Victoria House, London |
| 2014 | Cultus Deorum (curated by Zavier Ellis) | Saatchi Gallery, London |
| 2014 | REALITY: Modern and Contemporary British Painting (curated by Chris Stevens) | Sainsbury Centre for Visual Arts, Norwich |
| 2013 | Gallery Artists: Director’s Selection | CHARLIE SMITH LONDON, London |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2013 | Porträts | Galerie Rigassi, Bern |
| 2012 | The Id, the Ego and the Superego (curated by Zavier Ellis) | BRAUBACHfive, Frankfurt |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2012 | The Serpent’s Tail | Witzenhausen Gallery, Amsterdam |
| 2012 | Polemically Small (curated by Zavier Ellis & Edward Lucie-Smith) | Orleans House Gallery, Twickenham |
| 2012 | The Id, the Ego and the Superego (curated by Zavier Ellis & Marcela Munteanu) | CHARLIE SMITH LONDON, London |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT (curated by Zavier Ellis, Simon Rumley & Rebecca Wilson) | B1, Victoria House, London |
| 2011 | Charlie Sierra Lima | CHARLIE SMITH LONDON, London |
| 2011 | Everyday (curated by Tony Benn) | University Ruskin Gallery, Cambridge |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Klaipeda Culture Communication Centre, Klaipeda |
| 2011 | THE FUTURE CAN WAIT presents: Polemically Small (curated by Zavier Ellis, Edward Lucie-Smith & Simon Rumley) | Torrance Art Museum, Los Angeles |
| 2011 | Polemically Small (curated by Edward Lucie-Smith) | Garboushian Gallery, Beverley Hills |
| 2010 | Pokerface | Koraalberg Contemporary Art Gallery, Antwerp |
| 2010 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Shoreditch Town Hall, London |
| 2010 | Polemically Small (curated by Edward Lucie-Smith) | CHARLIE SMITH LONDON, London |
| 2010 | Ray Lowry London Calling | Idea Generation, London |
| 2010 | New British Painting (curated by Zavier Ellis & Pilvi Kalhama) | Gallery Kalhama & Piippo, Helsinki |
| 2010 | Call to Arms | BRAUBACHfive, Frankfurt |
| 2009 | British Art Now (curated by Edward Lucie-Smith) | Werkstatt Galerie, Berlin |
| 2009 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
| 2008 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2008 | The Smallest Art Fair in the World | Anna Kustera Gallery, New York |
| 2008 | A Stain upon the Silence (curated by Chris Shilling, Chris Page & Gaboy Gaynor) | St. Martins College of Art, London |
| 2008 | Anticipation (curated by Kay Saatchi & Catriona Warren) | Selfridges, London |
| 2008 | UK Best Graduates | White Box Gallery, New York |
| 2008 | The Past is History Part II (curated by Zavier Ellis & Simon Rumley) | Changing Role Gallery, Napoli |
| 2008 | The Past is History Part I (curated by Zavier Ellis & Simon Rumley) | Changing Role Gallery, Rome |
| 2008 | Icon (curated by Hugh Mendes) | Primo Alonso Gallery, London |
| 2008 | New London School (curated by Zavier Ellis & Simon Rumley) | Mark Moore Gallery, Los Angeles |
| 2007 | THE FUTURE CAN WAIT (curated by Zavier Ellis & Simon Rumley) | Atlantis Gallery, London |
| 2006 | RA 5 | Lennon Weinberg, New York |
| 2006 | Royal Academy Show | Wisniez Castle, Krakow |
| 2005 | 50 Selected artists | Hollow Salon, London |
| 2004 | 12 Award Winners Show | Florence Trust, London |
| AWARDS & RESIDENCIES | ||
| 2007 | Chelsea Arts Club Travel Award | |
| 2005 | Sturdley Award | |
| 2004 | British Institute Award | |
| 2003–2004 | Florence Trust Studio Award | |
| BIBLIOGRAPHY | ||
| 2017 | RUN TO ME | Exhibition Catalogue |
| 2017 | The Book of Black, Faye Dowling (ISBN 978-1786270429) | Laurence King Publishing |
| 2014 | REALITY: Modern and Contemporary British Painting, Chris Stevens (ISBN 978-1786270429) | Sainsbury Centre for Visual Arts |
| 2013 | 100 London Artists Vol. 1, Zavier Ellis & Edward Lucie-Smith | iArtBook |
| 2013 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Exhibition Catalogue |
| 2012 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Exhibition Catalogue |
| 2011 | Saatchi Gallery & Channel 4’s New Sensations and THE FUTURE CAN WAIT | Exhibition Catalogue |
| 2010 | New British Painting, Timo Valjakka | Artforum |
| 2009 | British Art Now, Travis Jeppesen | Artforum |
| 2009 | Sexuality in Art | Modern Edition.com |
| 2008 | THE FUTURE CAN WAIT | Exhibition Catalogue |
| 2008 (Jul) | Saatchi after Saatchi, Ginny Dougray | The Times Magazine |
| 2007 (Oct) | Oh You Pretty Things, Derwent May | The Times |
| 2007 (Aug) | Guide to the Fairs, Richard Clayton | Sunday Times |
| 2007 | 15 Young Masters, Freire Barnes | Bon International (No.12) |
| 2007 | Miser & Now (Issue 10), Q&A | Miser & Now |
| COLLECTIONS | ||
| Javier Baz, Denver | ||
| Carlos Fragoso, New York | ||
| Glen Luchford, New York | ||
| David Roberts, London | ||
| Sir Norman Rosenthal, London | ||
| Kay Saatchi, Los Angeles | ||
| Private collections in Belgium, Columbia, France, Germany, Netherlands, Switzerland, United Kingdom & United States | ||