|2015-2018||Postgraduate Diploma in Fine Art||Royal Academy of Arts, London|
|2007-2010||BA (Hons) Fine Arts||UCA, Canterbury|
|ONE PERSON EXHIBITIONS|
|2019||Mummy's Boy||Cob Gallery, London|
|2019||Mega Alright Part II||Union Gallery, London|
|2018||Just like anything||Marian Cramer, Amsterdam|
|2018||Big Windows||The Arcade Project, London|
|2018||Plastic Factory (no place for me)||12 Piccadilly Arcade, London|
|2018||Pipe) Dreamer Royal Academy Schools graduate show||Royal Academy, London|
|2017||Future Absurdities||Unit 1 Gallery Workshop, London|
|2016||Art Type Stuff||Stour Space, London|
|SELECTED GROUP EXHIBITIONS|
|2019||10 Years||CHARLIE SMITH LONDON, London|
|2019||Young Gods||CHARLIE SMITH LONDON, London|
|2019||Telescope||Jerwood Gallery, Hastings|
|2018||The Big Art Show||Amsterdam Art Weekend Marian Cramer, Amsterdam|
|2018||Paper Cuts||Saatchi Gallery, London|
|2018||Zone d’Utopie Temporaire part IV||Wozen, Lisbon|
|2018||Material||Cob gallery, London|
|2017||YOU SEE ME LIKE A UFO||The Grange, Royal Ascot|
|2017||A series of pocket Utopias||Yellow Brick and Snehta, Athens|
|2017||It is what it isn’t||Big Shed, Aldeburgh|
|2017||Cut||Unit 1 Gallery Workshop, London|
|2017||Premiums: Interim Projects||Royal Academy, London|
|2016||Zone d’Utopie Temporaire Part II||The Koppel Project Hive, London|
|2014||Charley Thomas||CRATE, Margate|
|2012||Mega Alright||The Horse Bridge Centre, Whitstable|
|Dale Adcock, Emma Bennett, Kiera Bennett, Sara Berman, Jelena Bulajić, Tom Butler, Paul
Chiappe, Adam Dix, Susannah Douglas, Tessa Farmer, Tom Gallant, Florian Heinke, Sam
Jackson, Simon Keenleyside, Thomas Langley, Wendy Mayer, Hugh Mendes, Sean Molloy,
Alex Gene Morrison, Tamsin Morse, Gavin Nolan, Dominic Shepherd, Carolein Smit, Barry
Thompson, Gavin Tremlett
|PRIVATE VIEW: Thursday 11 July 6.30-8.30pm|
|EXHIBITION DATES: Friday 12 July – Saturday 10 August 2019|
|GALLERY HOURS: Wednesday-Saturday 11am-6pm or by appointment|
|CHARLIE SMITH LONDON is delighted to announce ’10 Years’, our anniversary exhibition produced to celebrate a full decade’s
operations in Shoreditch.
During this time we have presented 88 exhibitions within the gallery, defining CHARLIE SMITH LONDON and gallery director
Zavier Ellis’ unique curatorial vision. The gallery has also established itself as a discovery zone by being the first to exhibit many
acclaimed young artists via its annual graduate exhibition Young Gods. Beyond the gallery walls, the gallery has participated in
over 30 art fairs in Germany, Italy, the Netherlands, Switzerland, UK and USA. Zavier Ellis also launched the monumental annual
exhibition THE FUTURE CAN WAIT with Simon Rumley, a ten-year project that was presented in partnership with Saatchi’s New
Sensations for four years and culminated in helping organise the seminal fund-raising exhibition In Memoriam Francesca Lowe.
Ellis has also curated or co-curated gallery, museum and pop up exhibitions in Berlin, Frankfurt, Helsinki, Klaipėda, London, Los
Angeles, Naples and Rome. And, perhaps most notably, the gallery has placed millions of pounds worth of artwork into collections
globally, working with many of the most prominent international collectors, and enabling artists to continue to do what artists do
best: making work.
This exhibition consists of some (but by no means all) of Ellis’ favourite artists who have shown over the years at CHARLIE SMITH
LONDON; some whom he has been tracking and wanting to show; and gallery artists. We hope you can join us on July 11th to help
us celebrate 10 Years!
Please contact gallery for images and further information.
|Eliza Bennett, Teal Griffin, Thomas Langley, Alexi Marshall, Rosie McGinn, Irene Pouliassi, Yasmine Robinson|
|Curated by Zavier Ellis|
|PRIVATE VIEW Thursday 7 February 6.30-8.30pm|
|EXHIBITION DATES Friday 8 February – Saturday 9 March 2019|
|CHARLIE SMITH LONDON is delighted to present its first exhibition of 2019. Celebrating its tenth year at the gallery in Shoreditch,
it is fitting that Young Gods launches this significant and celebratory year.
Gallery director and independent curator Zavier Ellis is a respected talent spotter who has curated Young Gods at various
locations for fifteen years:
“This is one of my favourite projects in the calendar and this show is one of the strongest selections yet. I have enduring
relationships with many of the Young Gods that I have selected over the years, and I’m delighted to see them achieving so much
consistent success. This is something I have done since the earliest stages of my career, and my appetite for discovering new
artists is undiminished.”
Selected from graduate and post-graduate final shows in London, the exhibition will consist of printmaking, installation, painting,
video, assemblage and sculpture from artists who have graduated from Chelsea, Goldsmiths, the Royal Academy Schools, the
Slade, Wimbledon and City & Guilds.
ELIZA BENNETT (MA Fine Art, City & Guilds of London Art School) works across disciplines including sculpture, installation,
printmaking, book making and photography. Bennett explores a range of issues relating to the shifting forms of both individual and
social reality. Embracing archiving and categorization, she subverts meaning by adroitly manipulating the audience’s expectations.
Bennett subtly employs our inherent tendency to classify in order to destabilize the notion of classification, thereby navigating
value systems, affectation, acceptance and exclusion.
TEAL GRIFFIN (MFA Fine Art, Goldsmiths) investigates profound, universal human experience by departing from the subjective:
most recently his ageing dog Zen, his late father, his first wrinkle. Griffin’s practice is a non-hierarchical, multidisciplinary process
of bricolage (including sculpture, installation, video, poetry / text and spoken word). His presentation is nuanced with a lightness of
touch, enabling the audience to navigate constellations of objects that coalesce to encourage contemplation and the decoding of
THOMAS LANGLEY (Postgraduate Diploma, Royal Academy Schools) is a multi-disciplinary artist who has recently focused on
painting. Langley draws on specifically personal experience to make work that resonates broadly. Combining text, materiality and
objecthood at varying scales, Langley’s statements read as declarations or pleas, such as his already iconic “Buy mum a house”
or “If its shit, make it better”. Employing the visual language of rough, instinctive graffiti, Langley embraces the rich history of text
as visual device, from naïve graffiti itself to signage, slogans and political polemics.
ALEXI MARSHALL (BA (Hons) Fine Art, Slade School of Fine Art) investigates sexuality, spirituality, womanhood and youth using
print, drawing, fabric and embroidery. Her uniquely large-scale linocuts are intensely laboured, densely populated tableaux. Desire
underlined by threat is conveyed, as human, bestial and hybrid figures cavort in unspecified environments. Heavily informed by
religion, myth, tarot and the wild, divine nature of the feminine, Marshall’s work draws parallels between the ritualism of occult or
tribal ceremony and contemporary social nightlife.
ROSIE MCGINN (MA Fine Art, Wimbledon College of Arts) identifies sport and leisure as a subject through which she can
explore the psychological drives underlying euphoria, despair, achievement and failure. Working in video, sculpture and kinetic
installation, McGinn appropriates imagery and footage from bingo halls, weight lifting, boxing or football matches to make
effortlessly complex works. McGinn acknowledges both the pursuit of transcendence via extreme human achievement and the
escapism inherent in group hysteria (worship), whilst conveying the absurdity of consistently dedicating oneself to watching or
participating in singular, obsessive, repetitive behaviour.
IRENE POULIASSI (MA Fine Art, Chelsea College of Arts) investigates trauma and mortality in her beguiling, often hanging
constructions. Combining collected garments, found objects, sex toys; and organic material including teeth, hair and animal
intestines, Pouliassi confronts her audience with work that simultaneously captivates and repulses. Recalling voodoo or other
ritualistic occult objects, Pouliassi presents nihilistic, fetishistic assemblages that suggest the body, but also its propensity to
decay, degenerate and expire.
YASMINE ROBINSON (MA Fine Art, Chelsea College of Arts) makes assemblages that respond to her experience of the urban
environment of Belfast, and specifically its post-conflict identity defined by rapid regeneration and reconstruction. Her work
explores themes of identity, and re-interpretation of contemporary Northern Irish culture, embracing the friction between nostalgia
and progressive adaption. Consisting of found elements and painterly techniques, Robinson’s work combines the visual languages
of the city and historical abstract painting, encouraging both instinctive reading and linguistic decoding.